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F17 Maxwell - ALA 429 / PSYCH 411 / SOC 471 - Social Justice in the Real World

Howard Bingham
Cleveland, from "Detroit Focus 2000"
1975
black and white photograph | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.5
This is an abstract face of a figure looking to the right. The head is divided into compartments of varying textures by several straight lines. There are piano keys are on the left side of the head, and a cigarette at top left. 
Sargent Johnson
Lenox Avenue
1938
lithograph | paper
Allocated by the U.S. Government
Commissioned through the New Deal art projects
1943.63
The color screenprint depicts four dark skinned figures walking past a construction site—likely a family. The man is dressed in a black suit, black shoes, yellow tie, and tan hat. The woman wears a red and white dress, yellow jacket, and red cap. The little girl stands to the left of mother, holding her hand. She wears a yellow dress, white tights, brown shoes, and a red cap. A small boy wears brown pants, tan shoes, a yellow shirt, and blue jacket. He stands to the right of the father and holds his hand.  <br /><br />
In the background, there are three men working at the construction site. There are two men in blue jumpsuits, one has dark skin and the other white. A third dark skinned man wears a gray jumpsuit and holds a saw. The print is signed and dated (l.r.) "Jacob Lawrence 1974" in pencil.
Jacob Lawrence
Builders (The Family)
1974
screenprint | paper
Gift of Dr. James and Vivian Curtis
1997/1.532
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Jean-Michel Basquiat
A Lie
1981
colored crayons | paper
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
1985/2.18
A black and white photograph of four people lying on the ground. One person's face is covered by an American flag, while the man behind her has his face covered by a hat. The group appears to be asleep. The feet and shoes of other people standing around the group of four is visible in the background. The print is signed (l.r.) "Edward Roberson" in pen.
Edward (Robbie) Roberson
Tired Marchers Sleep on the Streets—"We were tired, we were tired.", Selma, Alabama
1963
inkjet print | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.28
A "Norton Abrasives" wooden crate is filled with empty rusted gallon paint containers with dried paint inside. A cracked rearview mirror is attached to one side and an American flag is smushed into one side of the box. A small toy platypus sits inside one of the paint cans, although the platypus is moveable; instructions to museum state that museum staff can place platypus where they please.
Tyree Guyton
Untitled (Paint Cans)
1980 - 2010
paint cans, wooden crate, American flag, rearview mirror, ceramic |
Gift of H. David Zucca
2013/2.310
This colorful print is broken up in to four panels, which are divided by a black border with white dashes and then surrounded by a red border, which includes designs in white. In the upper left panel is the image of a blue and yellow house. The upper right shows a television set sitting on a table alongside a glass of milk, a key ring, notepad, plate, and cell phone. In the lower left panel, the bust of a girl with blonde hair in pig-tail braids is standing in front of two houses, one traditional and one modern. The lower right panel depicts an orange, yellow, and red store labeled "Shop and Buy" with a parking lot out front. The artist's initals are included in the print (l.r.) in white on red "RG".
Rodney Alan Greenblat
Christina's World
1989
screenprint | paper
Gift of Jack A. and Noreen Rounick
2004/2.42
Russell Limbach
Reviewing Stand, from "The American Scene, Series 2"
1904 - 1935
lithograph | paper
Museum Purchase
1935.26
A black and white photograph of a sidewalk, upon which people sit and stand, backs against a brick building. Some look toward the viewer, and some look to the left.
Danny Lyon
A crowd watches the demonstrators returning to the city hall steps
1963
gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2016/2.453
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.1
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.2
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Carrie Mae Weems
After Manet
2002 - 2003
chromogenic print | paper
Museum purchase made possible by the W. Hawkins Ferry Fund
2004/2.3

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Last Updated

March 2, 2018 2:53 p.m.

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