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Between and Mortarboard

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Part of: Thinking, Deciding (6 resources )
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Listening, Assessing, Perceiving

Copyright
All Rights Reserved
Created by
Amanda Sharon Respess
Last Updated
May 25, 2022 2:56 p.m.

13 Items in this Learning Collection
Visit to the Hospital
A woman sits on the edge of a bed in which a figure lays. A child stands next to the woman. A chair with a bag on it sits in the right bottom corner.
Collection Object
La Belle Dame Paresseuse
A seated female faces towards the viewer. She is leaning back in her chair, her chin resting on her left arm; she holds papers in her right hand that are in her lap.
Collection Object
Arbeitsfrau mit dem Ohrring
This etching is a portrait of a woman; just her face is visible. The background is almost solidly black, and the darkness encrouches on the portrait. The woman looks off the left of the page, and a small earring is visible on her right ear. The print is signed in pencil (l.r.) "Kathe Kollwitz".
Collection Object
Phrenological Head

Collection Object
Analysis of Beauty

Collection Object
Untitled
This print has rows of stenciled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Collection Object
Untitled
This print has rows of stencilled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Collection Object
Venus in Front of a Mirror II
This print shows two views of nude women separated by a partial line in the center. The figure on the right is facing out and more naturalistically rendered, yet her body has missing parts of its torso. On the left, the figure is in profile and drawn using sparse lines to outline the general shape of the gendered attributes and is more abstracted. The print is titled, numbered, signed and dated in pencil at the bottom of the page. 
Collection Object
Anatomy of Feelings
This print has a large humanoid figure created with thin lines and abstract shapes. The print is titled, numbered, signed and dated in pencil at the bottom of the page.
Collection Object
Anatomy of Feelings
This print shows a bust of a figure against a barren landscape. The figure is looking to the right of the page and a mask hovers in the air in front of his face. The print is titled, numbered, signed and dated in pencil at the bottom of the page.
Collection Object
Anatomy of Feelings
This etching depicts parts of a nude female torso. The center of the torso and most of the apendages of the body are cut out/off revealing abstracted interior spaces. Additionally, there is a series of horizontal lines in the center of the print. The print is titled, numbered, signed and dated in pencil at the bottom of the print. 
Collection Object
Anatomy of Feelings
This print has vignettes organized in two rows of four. Inside each frame is an image of a nude woman accompanied by text at the margins. The print is titled, numbered, signed and dated at the bottom of the page.
Collection Object
Head I
This etching shows a head in profile as if an x-ray is showing what is inside. The insides of the head are made up of various shapes and objects. The print is titled, numbered, signed and dated in pencil at the bottom of the page.
Collection Object
Thinking, Deciding

Copyright
All Rights Reserved
Created by
Amanda Sharon Respess
Last Updated
May 25, 2022 2:56 p.m.

6 Items in this Learning Collection
Sensations
Brightly-colored image of abstract shapes in hues of blue and red with white shapes giving the pieces a shining appearance.
Collection Object
Phrenological Head

Collection Object
Analysis of Beauty

Collection Object
Illuminated Landscape
Nocturnal scene with landscape populated by otherworldly pink, green, and blue flora and fauna resembling marine life or celestial bodies.
Collection Object
Lunettes à hologrammes et ordinateurs pour voir les objets imaginés
In this print, there are line drawings and mirrored text in black at the bottom and to the right. The bottom scene depicts a partial figure in profile with lines coming from the head and a small equestrian figure. In the upper left of the print, there is a colored box with a larger profile of a figure in creams, red, yellow and blue. Inside the head there are a series of lines and shapes as well as drawings of small ants. In front of the figure's face there is a rectangular object with ants and other abstract shapes drawn on it. Below the figure's chin is the artist's monogram and the date. Above the figure's head, to the right, is a geometric pattern in black, white, red and blue. A long tube circles the base of the figure's head and extends down to the lower right on the inserted image. The print is signed (l.r.) and numbered (l.l.) in pencil.
Collection Object
Untitled, from "The New York Collection for Stockholm: 30 Artists"
A print of diagrams and measurements on grid paper. In the upper lefthand corner, the title &quot;Peaches, 1969&quot; is written and circled.&nbsp;<br /> <br /> EC 2017
Collection Object
13 Items in this Learning Collection
Visit to the Hospital
A woman sits on the edge of a bed in which a figure lays. A child stands next to the woman. A chair with a bag on it sits in the right bottom corner.
Collection Object
La Belle Dame Paresseuse
A seated female faces towards the viewer. She is leaning back in her chair, her chin resting on her left arm; she holds papers in her right hand that are in her lap.
Collection Object
Arbeitsfrau mit dem Ohrring
This etching is a portrait of a woman; just her face is visible. The background is almost solidly black, and the darkness encrouches on the portrait. The woman looks off the left of the page, and a small earring is visible on her right ear. The print is signed in pencil (l.r.) "Kathe Kollwitz".
Collection Object
Phrenological Head

Collection Object
Analysis of Beauty

Collection Object
Untitled
This print has rows of stenciled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Collection Object
Untitled
This print has rows of stencilled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Collection Object
Venus in Front of a Mirror II
This print shows two views of nude women separated by a partial line in the center. The figure on the right is facing out and more naturalistically rendered, yet her body has missing parts of its torso. On the left, the figure is in profile and drawn using sparse lines to outline the general shape of the gendered attributes and is more abstracted. The print is titled, numbered, signed and dated in pencil at the bottom of the page. 
Collection Object
Anatomy of Feelings
This print has a large humanoid figure created with thin lines and abstract shapes. The print is titled, numbered, signed and dated in pencil at the bottom of the page.
Collection Object
Anatomy of Feelings
This print shows a bust of a figure against a barren landscape. The figure is looking to the right of the page and a mask hovers in the air in front of his face. The print is titled, numbered, signed and dated in pencil at the bottom of the page.
Collection Object
Anatomy of Feelings
This etching depicts parts of a nude female torso. The center of the torso and most of the apendages of the body are cut out/off revealing abstracted interior spaces. Additionally, there is a series of horizontal lines in the center of the print. The print is titled, numbered, signed and dated in pencil at the bottom of the print. 
Collection Object
Anatomy of Feelings
This print has vignettes organized in two rows of four. Inside each frame is an image of a nude woman accompanied by text at the margins. The print is titled, numbered, signed and dated at the bottom of the page.
Collection Object
Head I
This etching shows a head in profile as if an x-ray is showing what is inside. The insides of the head are made up of various shapes and objects. The print is titled, numbered, signed and dated in pencil at the bottom of the page.
Collection Object

Copyright
All Rights Reserved ()

Analysis of Beauty

Accession Number
1971/2.61

Title
Analysis of Beauty

Artist(s)
William Hogarth

Object Creation Date
1753

Medium & Support
engraving on paper

Dimensions
15 3/8 in. x 19 7/8 in. ( 39 cm x 50.5 cm )

Credit Line
Museum Purchase

Primary Object Classification
Print

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
beauty
bell
cactus
candlestick
flowers
head
heads (animal components)
legs
medical
nudes
sculpture
sculpture (visual works)

3 Related Resources

& Author Notes

Web Use Permitted