DrumArtist(s)KubaArtist NationalityKuba (Democratic Republic of Congo style)Object Creation Date20th centuryMedium & Supportwood, animal skin, and plant fibersDimensions
29 1/2 in x 11 in x 12 5/8 in (75 cm x 28 cm x 32 cm)Credit LineGift of Al and Margaret CoudronSubject matter
According to Kuba oral history, drums were said to have been introduced by king Shyaam. They served as symbols of royal dignity and were used for dance during various ceremonies. Pel ambish is a drum of office commissioned by the king and contains a distinct geometric pattern of his choosing.
The face on this particular drum can be a potential representation of a king or a titleholder. After the king's death the drum turned into a commemorative object, removed and exhibited on important occasions. The hand depicted on this drum often served as a symbol representing a warrior. Additionally the geometric patterns on this drum are similar to the patterns found on Kuba textiles and basketry.
David Binkley, Avatars of Power, 1987
Donna Coates Rogers, Royal Art of Kuba 1978
Daniel Biebuyck, The Arts of Zaire, 1985
Georges Meurant, African Textiles from the Kingdom of Kuba, 1986
Roy Sieber, African Textiles and Decorative Arts, 1972
Jan Vansina, The Children of Woot, 1978Physical Description
Vertically positioned drum with cylindrical form. There is a face carved into the drum and underneath the face is a carved hand. Right above the hand is a rectilinear design, resembling interlocking boxes, wrapping around the circumference of the drum. Directly behind the hand is another geometric pattern resembling interlocking diamonds wrapping around the circumference of the drum.Primary Object Classification Musical Instrument Primary Object Typepercussion instrumentCollection AreaAfricanRights
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carvings (visual works)