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Between and Mortarboard

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10 UMMA Objects
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This black and white print shows an outdoor scene with lush leafy trees, open sky and mountains in the far distance. Two figures are walking along a wooded path in the foreground- one is a man with wings wearing robed garments and the other a younger man carrying a single large fish. There is a city shown in the middle distance through the trees and a pasture scene depicted on the right.
Hendrik Goudt
Tobias with the Angel Dragging the Fish (The Large Tobias)
1613
Museum Purchase
1972/1.165
A bust of a pensive female figure enrobed in drapery is encased in a medallion.  It is above a sketched scene with multiple figures in an interior space, who surround a man lying in a bed that is enframed by a garland of foliage.
Jean Baptiste Raphaël Urbain Massard (French (culture or style))
Étude du tableau de la dame de Charité
1772
Gift of Professor Walter M. and Nesta R. Spink
2012/2.176
This print is vertically oriented with gray markings. A cream border surrounds it and it has “EVENING” written below it. The lower half of the print has a pastoral scene with several adults and children by a stream at the bottom of the print. Behind them, someone milks a cow. The upper half shows the tops of buildings and rolling hills. A sunset is taking place with dramatic clouds.<br />
William Hogarth
The Four Times of Day: Evening
1738
Museum Purchase
1971/2.58
This print is vertically oriented with gray markings. A cream border surrounds it and it has “NOON” written below it. The lower half of the print has a busy street scene with lots of adults and children in 18th century garb. The upper half shows the top of the buildings that line the street, including a shop, a brick building, and a church steeple in the distance.<br />
William Hogarth
The Four Times of Day: Noon
1738
Museum Purchase
1971/2.57
This print is vertically oriented with gray markings. A cream border surrounds it and it has &ldquo;NIGHT&rdquo; written below it. The lower half of the print has a busy street scene with lots of people taking parts of several stories (e.g. someone empting a chamber pot on people on the street, a tipped over carriage that is being set on fire, a quack doctor performing an operation in a candlelit room). The upper half of the print shows the tops of the buildings that line the street, iron-wrought shop signs, a statue of a man on horseback in the distance, and a crescent moon in a cloudy sky.
William Hogarth
The Four Times of Day: Night
1738
Museum Purchase
1971/2.59
Etching depicting six scenes in which two costumed performers dance in response to each other.
Jacques Callot (French (culture or style))
Six Scenes from the Balli di Sfessania (Dance of Sfessania)
1616 – 1622
Gift of Professor Walter M. and Nesta R. Spink
2013/2.557
Three men standing in a surprised movement with an owl coming out of an overturned lectern. There is decorated border around the drawing.
Bernard Picart (French (culture or style))
Night Scene from Nicolas Boileau-Despréaux's "The Lectern" [Le Lutrin], Illustration for the 3rd Canto
Gift of Professor Walter M. and Nesta R. Spink
2013/2.566
This print is vertically oriented with gray markings. A cream border surrounds it and it has “MORNING” written below it. The lower half of the print has a busy square. There is a pyramid of people to the right, with lovers, beggars, and a woman warming her hands over a fire. The left has a woman in a gown and a small boy behind her. Beyond them in the distance is a large mass of people carrying posters. The upper half shows the tops of the buildings that line the square. The rooftops has a dusting of snow, and the clouds are dark as if it were an early winter morning.<br />
William Hogarth
The Four Times of Day: Morning
1738
Museum Purchase
1971/2.56
The circular room’s ceiling is painted with a sky motif populated by cupids; the room also features ornamental mouldings above four windows that depict musical instruments, and busts on pedastals are placed between the windows. A large number of well-dressed men and women sit while a group of musicians in the center of the room perform on a piano, flutes, cellos, a harp, and other stringed instruments. The print is framed by an ornamental border, and a stretch of tasseled fabric below the scene contains a title and a coat of arms.<br /><br /><u>Marks/Inscriptions:</u><br /> In plate, l.c.: Le Concert / A Madame La Comtesse de Saint Brisson; and l.r.: Par son très humble et très obéissant / Serviteur Duclos In plate, in lower margin, l.l.: Dessiné par Aug. de St. Aubin. Graveur du Roi; abd l.c.: A Paris chés Chereau Graveur rue St. Jacques près les Mathurins / Avec Privilége du Roi; and, l.r.: Gravé par A.J. Duclos<br /><br /> Collector's mark on verso: DB.W enclosed in a rectangle. (Copied onto sheet in objec
The Concert
1773
Museum Purchase
1956/1.53

Giovanni Battista Piranesi (Italian (culture or style))
The Gothic Arch, from the 'Carceri'
1745 – 1755
Museum purchase made possible by a gift from Helmut Stern
1992/1.123
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