54 UMMA Objects
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This black and white etching shows a pier that dominates the foreground of the scene, and recedes toward the left distance while the center distance is vague darkness. There are tall, black pillars along the pier and waves of the water visible to the right of the image. The print is signed (l.r.) "Emil Nolde".
Emil Nolde (German (culture or style))
Hamburg, Landungsbrücke
1910
Museum Purchase
1954/2.29

Georges Rouault (French (culture or style))
Miserere. Pl. 34. "Les ruines elles-mêmes ont péri."
1926
Museum Purchase
1954/2.32

Georges Rouault (French (culture or style))
Miserere. Pl.52. Dura lex sed lex. The law is hard, but it is the law.
1926
Gift of Jean Paul Slusser
1957/2.52

Helen Frankenthaler (American (North American))
Connected by Joy
1969 – 1973
Museum Purchase
1974/1.257

Jacques Villon (French (culture or style))
Les Cartes (The Game of Solitaire)
1903
Museum Purchase
1963/2.57

Jack Levine (American (North American))
The General
1915 – 1964
Museum Purchase
1964/1.124

Käthe Kollwitz (German (culture, style, period))
Self-Portrait at the Table
1893
Gift of Edwin M. Otterbourg
1954/2.10

Francisco José de Goya y Lucientes
Los Caprichos, pl. 46: Corrección (Correction)
1746 – 1828
Museum Purchase
1957/1.104
A horse-drawn carriage with several attendants is perched on a vertiginously slanted hill. A few coachmen stand nearby, most of whom wear top hats. One man helps a woman in a gown get out of the carriage.
Jules Pascin (American (North American))
The Pumpkin Coach
1930
Museum Purchase
1948/1.417

Max Pechstein
Am Strom (The River)
1923
Museum Purchase
1948/1.74

Robert Cottingham
F.W.
1975
Museum Purchase
1975/2.96
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