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Between and Mortarboard

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2859 UMMA Objects
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Photograph of a group of women protestors, smiling and holding posters, as they walk down a street fenced off to cars.
Garry Winogrand (American (North American))
Untitled
1963 – 1973
Gift of Mr. and Mrs. Douglas M. Kenyon
1983/2.147

Manuel Carrillo
Dogs and Man on Horse at Beach
20th century
Gift of Mr. & Mrs. Arnold M. Gilbert
1981/2.2
This is a hanging scroll painted with ink and color on paper with the main subject of a demon or&nbsp;<em>oni</em>. The demon has horns in its head and stands as if in motion. On its front leg closest to the viewer is a piece of paper with writing. Above its head is an inscription in four lines descending in order from the upper right. On the bottom right corner is another inscription followed by two red seals.&nbsp;
Japanese (Japanese (culture or style))
Demon Soliticing Contributions
20th century
Gift of Rudolf and Mary Arnheim
1989/1.76

Chinese (Chinese (culture or style))
Stele from Madame Wang's Tomb: 20th century rubbing of a Sui Dynasty tomb slab
20th century
Museum Purchase made possible by the Margaret Watson Parker Art Collection Fund
1991/1.121

Remo Saraceni
Untitled
20th century
Gift of Dr. & Mrs. J. Robert Willson
1983/1.143.1

Aileen Elliott
The Thames at Limehouse
1896 – 1992
Gift of Mrs. Charles F. Weber
1992/1.161

Samuel Chamberlain
Jonathan Edwards College 7, from "Twelve Etchings of Yale"
20th century
In honor of James Rowland Angell, a graduate of the University of Michigan in the year 1890, President of Yale University 1921-1937
1948/1.110

Samuel Chamberlain
Payne Whitney Gymnasium 8, from "Twelve Etchings of Yale"
20th century
In honor of James Rowland Angell, a graduate of the University of Michigan in the year 1890, President of Yale University 1921-1937
1948/1.111
This etching has a grey and white all-over grid pattern. Thicker, light grey lines make up the main grid and individual squares from this pattern are broken into smaller quadrants of small white rectangles. The print uses lighter tones towards the center and outer corners of the work. Darker grey tones are used between these areas. The work is printed on ivory wove paper. The print is signed, dated, and numbered (l.r.) "Longo 70 4/45" in pencil. 
Vincent Longo (American (North American))
Frontal
1970
Gift of The Drawing and Print Club, Founders Society Detroit Institute of Arts
1971/1.191

Dogon (Dogon (culture or style))
Walu Antelope Mask
1900 – 1971
Museum Purchase assisted by the Friends of the Museum of Art
1971/2.26
Inverted cone-shaped vessel of brown, yellow and green glass
François-Emile Décorchemont
Vase
1904 – 1971
Transfer from the College of Architecture and Design
1972/2.228

Pierre Alechinsky (Belgian (modern))
Lieu d'interrogation
1927 – 1972
Museum Purchase
1972/2.3
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