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Results for date_created:"1193"

257 UMMA Objects (page 1/22)
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Itô Jakuchû
Three Eggplants and a Poem
760 – 1800
Gift of Helmut Stern
2003/1.403

Chinese (Chinese (culture or style))
Jian Ware "Hare's Fur" Teabowl
1100 – 1299
Gift of Mr. and Mrs. Stephen H. Spurr
2003/2.19
This is an eight-lobed bronze mirror in a dark green or blackish green hue. It is divided into two registers by eightlobed ridge, first of which is decorated with floral scrolls. The inner register has two cranes encircling the suspension loop in the center with their wings extended and facing each other. This object may be compared to other crane-patterned mirrors excavated from the Geumcheon-dong tomb site in Cheongju-si, Chungcheongbuk-do Province.
<p>[Korean Collection, University of Michigan Museum of Art (2017), 241]</p>
Korean (Korean (culture or style))
Mirror with Lobed Rim
12th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.236
<p>This oil bottle is decorated with inlaid white lines on the shoulder and four inlaid chrysanthemums on the body. It has the refractory spurs stuck on the foot and outer base, and the glaze is partially crawled around the foot. The foot is low and there are three quartzite spur marks. The glaze and the form of the bottle are good overall, despite partial damage.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.130]</p>
Korean (Korean (culture or style))
Small Oil Bottle with inlaid chrysanthemum designs
1167 – 1199
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.238
<p>This type of bowls was produced in the 12th century when the production of celadon was increased. is piece is assumed to be a product of a kiln in Sadang-ri, Gangjin-gun, Jeollanam-do. e outer wall is decorated with incised and raised deisgn of a two- tiered lotus petal. The bowl was entirely glazed including the rim of the foot. e outer base retains three white quartzite spur marks. e glaze is fused well, displaying a ne gloss, but parts of it have been oxidized to tinge the inner surface with yellow.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.102]</p>
Korean (Korean (culture or style))
Bowl with carved lotus design
12th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.231
<p>This is a celadon lidded bowl with the top of the lid decorated with a peony spray design inside a hexafoil outline inlaid with black and white slips. The foot was made by removing clay from the underside of the base and retains traces of quartzite spurs in three places. The glaze was slightly darkened on the upper part with faint gloss. The glaze is poorly fused on the base of the body, leaving practically no sheen. The piece is of high value, however, for the glimpse it offers of Goryeo&rsquo;s refined yet splendid inlaid celadon ware, thanks to its decorative design that depicts a peony in full bloom, inlaid with white clay.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.118]<br />
&nbsp;</p>
Korean (Korean (culture or style))
Cosmetic Box with inlaid peony (?) design: 6-lobed shape to lip top
1167 – 1199
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.240A&B
<p>This bowl features splendid designs inlaid with black and white slip on its inner and outer surfaces. The inner wall is decorated with black-and- white inlaid design of three cranes surrounded by clouds which is inlaid with white slip. A row of yeoui-head designs borders the inner bottom. The outer surface also features chrysanthemum designs inside double concentric circles, all inlaid with white slip. Fine sand was stuck to the shallow foot. Glaze has been peeled off in some parts of the mouth, but the bowl is generally in complete form.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.108]</p>
Korean (Korean (culture or style))
Shallow bowl with inlaid design of cranes flying among clouds
1167 – 1232
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.248
This is known as a pear shaped bottle vase with widely everted mouth, narrow neck that makes it easy to grasp and a round globular body that is bottom heavy. Five lines encircle the body and neck. The foot is rather high.<br />
<br />
Bronze bottles, bowls, plates and cutlery were placed as burial ware in Goryeo tombs along with celadon vessels. This bottle has traces of being splashed by muddy water, thus it is assumed to have been excavated from a tomb. This type of bottle with a long neck and flared mouth was also made in celadon in large quantities. The bottle is decorated with three ridges, and between the ridges are incised three thin lines. The mouth was made by folding the metal sheet inwards and joining the folds. The vertical foot has been attached separately. The entire bottle is covered by a thin patina, and part of its body has been ruptured. It, however, retains its original form and has been preserved well. Part of one side, which has been in contact with earth, is more decayed than the rest.
Korean (Korean (culture or style))
Pear-Shaped Bottle
1000 – 1199
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.219
A piece of Indian terracotta fragment which shows a upper top of the body of a female figure, who is holding a scepter in her right hand. The female figure has a huge hair ornament on her head.
Indian (Indian (South Asian))
Female figure
100 BCE – 1999 CE
Gift of Professor Walter M. and Nesta R. Spink
2009/2.156
This footed bowl with painted designs is of 11th-13th century Iranian origin. The object stands upon a broad pierced foot, with a stem extending upwards supporting a shallow dish. It is done in brown, green and gold. The decoration consists of a number of birds compartmentalized by a gold background that serves to set off their shapes and creates a free-form design. Sgraffito cuts through the slip on glaze to a layer of brown that creates part of the form of the bird or its decoration. All of this is set against green cross-hatched areas. <br /><br />
 
Iranian (Iranian)
Footed Bowl with painted design of birds
1000 – 1199
Museum Purchase
1957/1.53
This large Iranian plate sits on a small base. The decoration consists of a bird and crude space fillers. The units are outlined in green and incised, in addition to green glazed parts that are not incised. The design is cut through the slip and appears light brown while the exterior is left unglazed and plain red-brown.The plate is mended and appears to have commercial mosaic in parts. The colors are green, light green, yellow, and red-brown. Painted green and brown spots and stripes are combined with scribbled engraving to form often asymmetrical designs.
Iranian (Iranian)
Shallow bowl with schematized animal motif
1100 – 1299
Museum Purchase
1957/1.54

Iranian (Iranian)
Bowl with openwork rim and modeled elephant and mahout
1100 – 1299
Museum Purchase
1957/1.58
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