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Results for credit_line:"Museum purchase"

3992 UMMA Objects (page 1/333)
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This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Odalisque
1934 – 1967
Museum Purchase
1971/2.150.3
This hanging scroll depicts three white chrysanthemums. The flowers form a dynamic arc, and were executed with powerful, rapid brushstrokes. The contrast between the thin lines of the petals of the flowers and the dark thick strokes made with the side of the brush suggesting the leaves and stalks of the plants creates the main visual drama of the painting. 
Soga Shōhaku
Chrysanthemums
18th century
Museum Purchase
1960/1.183
This hanging scroll depicts a man walking along a mountainous path overlooking a group of buildings and distant mountains. In the foreground, the figure moves to the left, and is placed before a large tree growing out of the rocks. The middle of the painting is dominated by a diagonal line created by the roofs of various structures leading to three larger mountain peaks, indicated with light gray washes. 
Soga Shōhaku
Strolling in the Mountains
18th century
Museum Purchase
1963/1.97
Groups of men gamble, smoke, and drink in a dark guardroom. In the left foreground a seated man wearing a red sash lights his white clay pipe, while his companion pauses his smoking to listen to a man standing next to him. The red of the smoker&#39;s sash is repeated in the flag and fabrics strewn about in the right foreground, which form part of a still-life of weapons, musical instruments, and glinting armor heaped together against the wall. Between these brightly lit foreground vignettes the scene recedes into the darkened interior where a group of five men gather about a table to gamble.
David Teniers the Younger
Interior of a Guardroom
1635 – 1645
Museum Purchase
1965/1.185
The profile bust of a young woman is depicted in the well of this dish. The rim features a variety of grotesque ornament, including two winged, serpent-like creatures with human heads, whose tails interlace at the top of the plate. Cornucopias full of fruit appear beneath these creatures, followed by weapons and shields, one of which bears the date 1526. At the bottom appears the head of a cherub supporting a vase of fruit.
Nicola da Urbino
Dish (Tondino) with portrait of a young woman and grotesque decoration
1526
Museum Purchase
1965/2.79

Abraham Cuyper (German (culture or style))
Mountain Landscape
1605 – 1652
Museum Purchase
1966/2.8

Carl Lespilliez
Two Designs of Ceilings, from a series of 10, 'Nouveau Livre de Plafonds Inventé
1723 – 1796
Museum Purchase
1960/1.114

Momokawa Chōki
A Woman of the Noble Imagawa Type (Remembering parental teachings)
1789 – 1795
Museum Purchase
1960/1.135

Torii Kiyonaga
Haifû yanagi-daru: Maid and Young Girl in a Doorway
1780 – 1790
Museum Purchase
1960/1.141
A woman with a sword looks back to her left. Her right hand is hidden by her long sleeve, just above the sword handle. Her blue outer robe is partially removed and reveals a patterned red and blue robe beneath. The bottom of the outer robe has a spray of flowers, and a crest adorns the left sleeve. A lantern lights up the stage behind her.<br /><br />
Unidentified inscriptions.
Shunshō Katsukawa (Japanese (culture or style))
Iwai Hanshirō IV as an Onnadate
1750 – 1799
Museum Purchase
1960/1.156
A man stands calmly looking to the left. He wears a formal sleeveless top (<em>kataginu</em>) and a matching, tan skirt (<em>hakama</em>). Underneath is an orange robe with white designs that match those on the skirt. He carries a sword at his side.<br /><br />
Inscriptions: Publisher's seal: Iwa; Signed: Shun'ei ga
Katsukawa Shun'ei (Japanese (culture or style))
The Treasury of Loyal Retainers (Chūshingura): Sawamura Sōjūrō III as Enya Hangan
1770 – 1801
Museum Purchase
1960/1.159
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