228 UMMA Objects
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George Luks
Woman and Child; Seated Figure (on verso)
1867 – 1933
Museum Purchase made possible by the Friends of the Museum of Art
1972/2.37

Sol LeWitt
Yellow, from "Sixteen Lithographs in Color"
1971
Museum Purchase made possible by the Friends of the Museum of Art
1978/2.61.1

Sol LeWitt
Black, from "Sixteen Lithographs in Color"
1971
Museum Purchase made possible by the Friends of the Museum of Art
1978/2.61.2

Sol LeWitt
Blue, from "Sixteen Lithographs in Color"
1971
Museum Purchase made possible by the Friends of the Museum of Art
1978/2.61.4

Sol LeWitt
Red - Black, from "Sixteen Lithographs in Color"
1971
Museum Purchase made possible by the Friends of the Museum of Art
1978/2.61.8

Giovanni Battista Piranesi (Italian (culture or style))
Second frontispiece for Volume II of 'Le antichita romane e d'Italia'
1756
Museum Purchase made possible by the Friends of the Museum of Art
1978/2.143
A muscular figure surrounded by an aureole of light steps down from a plain rectangular tomb. Six soldiers, depicted in a variety of complex postures, recoil from the figure in shock.
Marten van Heemskerck
The Resurrection
1548 – 1574
Museum Purchase made possible by the Friends of the Museum of Art
1983/2.249
This etching portrays a lively tavern scene in the 17th century Dutch Republic.The large room has rough plank walls and a stone floor. There is an open hearth on the right and a long table with a bench in the background. There are many figures engaged in various activities, but most are clustered around a seated man playing a violin. One man stands to watch, another, with arms upraised, is singing and a woman tends to a young child. The scene is depicted in great detail and there is lettering on the bottom of the print.
Cornelis Dusart
The Seated Violinist
1685
Museum Purchase made possible by the Friends of the Museum of Art
1992/2.18

Mossi;Bwa;Burkina Faso (Mossi)
Flute
1900 – 1985
Museum Purchase made possible by the Friends of the Museum of Art
1985/1.152
Two abstract figures stand in the central portion of this image.  The figure on the left is much larger than the figure on the right.  The left figure looks toward the right, raising their arms into the air.  They wear a dress that has patterns of waving forms and squiggled lines.  The other figure bends one arm under their chin and has an outfit depicted with lines that curve to right. The background in mostly blank, except for a strip of patterned grey along the left side of the work. The figures stand on a band of black and grey ground.
Max Ernst (German (culture or style))
Dancers
1950
Museum Purchase made possible by the Friends of the Museum of Art
1987/1.264
There is a single pheasant standing in the middle of the painting with its head turned around to peck at its feathers. There are a mixture of red, blue, green, and black feathers on the pheasant. Behind the pheasant is a plant growing from the ground. On the ground surrounding the pheasant and plant is grass. There are two seals, one on the left side of the painting and the other on the right side of the painting.
Nishiyama Kan'ei
Pheasant
1850 – 1899
Museum Purchase made possible by the Friends of the Museum of Art
1990/1.196
There are two white egrets standing next to each other in the water, one is looking foreward while the other is pecking at itself. Beside them is a tree with branches and green leaves hanging above them.
Nishiyama Kan'ei
White Egrets under a Tree
1850 – 1899
Museum Purchase made possible by the Friends of the Museum of Art
1990/1.206
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