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Results for credit_line:"Bequest of Margaret Watson Parker"

648 UMMA Objects (page 1/54)
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Within a dark interior, a man in a hat and wearing an apron stands at the left side of the image, facing a furnace. He holds the long handle of a tool into the furnace, holding his left hand on his hip. Behind him, to the right, are two youthful assistants wearing dark broad-brimmed hats, one leaning on an anvil. Further to the right are a seated woman and small child and at the far right is a man in a hat going down a flight of stairs. A second woman is visible in the background between the smith and the furnace, she is looking at the smith with hands raised. The interior shows evidence of the smith's work with tools hanging on the wall and a shovel next to one of the assistants.
James Abbott McNeill Whistler (American (North American))
The Forge, One of the 'Sixteen Etchings,' or the 'Thames Set'
1861
Bequest of Margaret Watson Parker
1954/1.347
An adolescent girl sits in a chair facing to the left, her hands resting in her lap. Her hair is loose around her shoulders and pulled back from her face. Her skirt consists of tiers of ruffles or other fabic. She has a pensive expression and her face is seen in profile.
James Abbott McNeill Whistler (American (North American))
Fanny Leyland
1874
Bequest of Margaret Watson Parker
1954/1.355
This is a nighttime view of a city on water. Along the horizon can be seen numerous buildings and ships. At center left is a three-masted ship at anchor; along the right side are buildings, incuding domes and a tall tower. Throughout the image, there is an importance given to reflections and the nocturnal setting.
James Abbott McNeill Whistler (American (North American))
Nocturne, from the "Twelve Etchings" or the "First Venice Set"
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.372
A partial view of a four-story building, concentrating on pairs of windows on each story and a wrought iron fence on the ground level. Windows have window boxes or balconies; on the ground level are several dogs on either side and a pair of milk cans at the center in front of the fence.
James Abbott McNeill Whistler (American (North American))
Rue de Vannes, Paris
1892 – 1893
Bequest of Margaret Watson Parker
1954/1.410
A large building with an open square before it dominates the composition. The building has elaborate architectural elements and is clearly a public or official place and has an arched pediment, finials, pilasters, and extensive glazing. In the square before the building are groupings of figures.
James Abbott McNeill Whistler (American (North American))
Grand' Place, Brussels
1887
Bequest of Margaret Watson Parker
1954/1.401
Rainy scene in a village. There is a bridge in the foreground, with several figures walking across with umbrellas. Houses and mountains appear in the distance.
Andō Hiroshige (Japanese (culture or style))
Tôto Meisho Series: White Rain on Nihon Bridge (Nihonbashi no shirazame)
1840 – 1841
Bequest of Margaret Watson Parker
1948/1.139
The print depicts a figure in black walking in the snow with an umbrella. The snow covers the road, the well and the trees. Inscriptions of two poems appear on the upper right-hand corner, and the artist's signature can be found on the bottom edge of the print.
Katsushika Hokusai [DELETE]
Surimono: The Lover in the Snow
1817 – 1849
Bequest of Margaret Watson Parker
1948/1.152

Félix Hilaire Buhot
Pluie et Parapluie
1847 – 1898
Bequest of Margaret Watson Parker
1954/1.269

Honoré Victorin Daumier (French (culture or style))
Dans la Salle des ventes. (Pl 2): Ma Femme m'a recommandé ... mon portrait ...
1859
Bequest of Margaret Watson Parker
1954/1.275

Frank Duveneck
Laguna, Venice (View of Shipping from the Riva)
1880
Bequest of Margaret Watson Parker
1954/1.279

Sir Francis Seymour Haden
Egham
1859 – 1860
Bequest of Margaret Watson Parker
1954/1.281

Martin Hardie
The Four Trees, Petit Andely
1915
Bequest of Margaret Watson Parker
1954/1.283
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