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Results for classification:"screen"

34 UMMA Objects (page 1/3)
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Yokoyama Seiki and Okajima Seik;Okajima Seikô
A side: Mandarin ducks and plum trees, by Yokoyama SeikiB side: Lakeside landscape, by Okajima Seikô
1850 – 1865
Gift of Helmut Stern
2003/1.405.1
Ten-panel screen depicting similar mountain scenes over changing seasons. A spring scene begins on the right, gradually changing over the ten images to winter on the left. In an upper corner of each scene is a corresponding seasonal poetic inscription. These images are created using ink and color on paper, which was mounted on the upper two-thirds of each panel of the screen.<br />
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Artist Yi Sangbeom has chosen a traditional theme, &ldquo;Eight Views of Xiao and Xiang Rivers (瀟湘八 景圖),&rdquo; but this painting is infused with a Korean mood by his unique expression and brush strokes. This ten-panel folding screen depicts various landscapes in each of the four seasons (四季山水圖): panels 1 to 3 depict spring landscapes; panels 4 and 5 summer; panels 6 to 8 autumn; and panels 9 and 10 winter. The title (畵題) of each panel is written on its upper corner. Beginning from the first panel on the far right, the titles are as follows: &ldquo;The Joy of Fishing on a Spring River (春江漁樂),&rdquo; &ldquo;Spring Haze in t
Yi Sang-Beom
Landscape of the Seasons
1943
Gift of Dr. & Mrs. Seong H. Chi
2007/2.10
A six-panel screen with a lacquered black background and illustrations in greens, reds, ochres and pinks. There is a border throughout each panel with red dragons and line decorations. This panel has four women in kimono each holding a different item - flower, vase, bowl and basket. There are two large trees. On the bottom is a green oval vase with pink flowers and green stems. On either side of the vase is a pear and a pepper.
Chinese (Chinese (culture or style))
Folding Coromandel Screen (Six-Panels)
1700 – 1999
Bequest from the Estate and Trust of Elise Reeder Olton
2014/1.619A

Ikeno Taiga
Scholarly Occupations and The Three Friends (Pine, Plum, Bamboo)
18th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1961/1.175

Yokoyama Seiki and Okajima Seik;Okajima Seikô
A side: Mandarin ducks and plum trees, by Yokoyama SeikiB side: Lakeside landscape, by Okajima Seikô
1850 – 1865
Gift of Helmut Stern
2003/1.405.4

Chinese (Chinese (culture or style))
Folding Coromandel Screen (Six-Panels)
1700 – 1999
Bequest from the Estate and Trust of Elise Reeder Olton
2014/1.619B
This six-fold screen, a half of a pair, is meant to represent six of the twelve months of the year, with keen attention paid to the birds and flowers associated with each. Although this screen bears Kano Tan&rsquo;yu&rsquo;s signature, it was probably created by his studio or by followers working in this famous artist&rsquo;s style.
One of a pair of six-fold screens
19th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1965/1.178

Yamawaki Tôki
Monkey Performance
1800 – 1849
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1987/2.44

Kanô Sengen
Landscape at the foot of Mt. Fuji
1820
Museum purchase made possible by a gift from Helmut Stern
1988/2.29.1
Among a gold and bright mineral pigmented landscape, Genji stands below a cherry tree in full bloom and watches Murasaki, who stands in an architectural structure. A distant stream and hilltops indicate the isolated setting.
Kanô Tsunenobu
Genji espies Murasaki for the first time, from the Wakamurasaki chapter of The Tale of Genji
1670 – 1680
Museum Purchase made possible by the Friends of the Museum of Art
2002/1.168

Chinese (Chinese (culture or style))
Folding Coromandel Screen (Six-Panels)
1700 – 1999
Bequest from the Estate and Trust of Elise Reeder Olton
2014/1.619E
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