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Between and Mortarboard


UMMA Object Specific Fields






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Results for classification:"jar"

217 UMMA Objects (page 1/19)
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Kamei Miraku
Wide-mouthed Jar
19th century
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.298

Kuba (Kuba (Democratic Republic of Congo style))
Jar
20th century
Gift of Marc Leo Felix
1983/2.172

Chinese (Chinese (culture or style))
Round-bottomed bowl or jar: fragment of base, with etched designs
6500 BCE
Museum Purchase
1940.416

Japanese (Japanese (culture or style))
Jar, Takatori Ware (?)
1795 – 1805
Transfer from the College of Architecture and Design
1972/2.94
This light reddish-buff earthenware <em>guan (</em>罐) jar has a wide globular upper body and a conical lower body on a narrow flat base with a narrow neck and flaring rim. There are two diametrically opposed lug handles at the waist. Painted on the upper half of the body with black pigment are a network of rhomboid shapes, hatch-marks and dots confined within solid band borders, with a lobed line border below.  Around the neck are a painted "X" design, hatch marks and a lobed border to the interior.  
Chinese (Chinese (culture or style))
Jar
25600 BCE – 2300 BCE
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1989/2.103

Iranian (Iranian)
Miniature jar with zigzag design
1500 – 1699
Transfer from the College of Architecture and Design
1972/2.139
This stoneware inverted pyriform vase has a wide short neck and wide ,spread shoulder that curves and tapers to a narrow flared foot. It is covered in a white slip and painted with brown-black underglaze in three wide calligraphic styled floral spray bands that frame a central wide lotus flower band against a meander background. The vase is finished in a clear glaze. The mouth is covered with a tall domed dark teakwood lid with wide flange and inverted peach-shaped knob. The dome is pierced and carved with a floral pattern.
Chinese (Chinese (culture or style))
Jar
1271 – 1368
Transfer from the College of Architecture and Design
1972/2.65A&B

Japanese (Japanese (culture or style))
Seto Ware (?) Three-handled Jar
1633 – 1666
Transfer from the College of Architecture and Design
1972/2.87
Thin-walled jar consisting of a base, globular body, and flaring neck. The piece is decorated with a bubbled design, and the base has evenly spaced rectangular cutouts. The body is incised with two narrow bands of combed wavy patterns that lay just below sets of two indented lines.<br />
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The long neck of this dark gray or yellow-gray, high-fired stoneware jar with a pedestal splays outwards in a straight line. The rim of the jar is narrow and flat, while the neck is divided into two sections by a set of three narrow, sharp and horizontal ridges. The lower neck section features a wave design that was produced using a five-tooth comb. The body is widest towards its upper-middle part, above which is located a single laterally incised line. A wave design has been applied using a three-tooth comb 1.5cm below this line. The pedestal is short, curves slightly outwards and features five square perforations. Overall, the jar is poorly fired, resulting in surface bubbles. The lower part of the jar features a p
Korean (Korean (culture or style))
Pedestal Jar with Long Neck
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.175
Large circular open-mouth jar with imprinted flower designs.
Shimaoka Tatsuzo (Japanese (culture or style))
Open Jar
20th century
Gift of Hubert and Norene Zernickow
2018/1.327

Jar with Cord
20th century
Gift of Marie Woo
2019/2.96

Cizhou Wine Vessel
20th century
Gift of Marie Woo
2019/2.101
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