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Between and Mortarboard


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Results for classification:"hanging scroll"

366 UMMA Objects (page 1/31)
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This painting portrays the Thunder God (Raijin), a powerful and ferocious figure, is fishing for his drum, carelessly dropped in the ocean.
Japanese (Japanese (culture or style))
Ôtsu-e: The Thunder God Fishing for His Drum
20th century
Gift of Dr. and Mrs. J.E. Val-Mejias, M.D.
1987/1.368

Yu Ji (Yü Chi)
Presenting Lichee Fruit on a Carved Ice Platter
1738 – 1823
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.188

Chen Nian (Ch'en Nien)
Wisteria
1920 – 1935
Gift of Katsuizumi Sotokichi
1949/1.197
Depicted&nbsp;are the Seven Lucky Gods. One is standing on one foot with his belly showing and a staff&nbsp;running along his sholders. Three others are crouching on the ground to the right of the standing god. The first is Ebisu in court robes with a rod in one hand and a fan in the other. The next god is in green robes and a tall hat. The last one, Hotei, is sitting on the ground pointing with his belly showing. Across from these three gods are three more, all laying on the ground. The first is in a green robe facing and holding a drink to the god on his right Benzaiten. She is in red robes but also&nbsp;half-naked. On her right is another god Fukurokuju in tan tobes with an elongated&nbsp;forehead. On the bottom right of the hanging scroll is a signature and two seals.<br />
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Mori Kōga (Takamasa)
Bacchanalian Revelry of the Seven Lucky Gods
1833 – 1866
Museum purchase made possible by a gift from Helmut Stern
1985/2.20

Kuncan (K'un-ts'an)
Reading sutras in the mountains (one of a set of four hanging scrolls)
1661
Gift of Jiu-Hwa Lo Upshur in honor of her mother Mrs. Wei-Djen Djang Lo
1987/1.196.2

Kōno Bairei
Empress Kômyô
1868
Gift of Dr. and Mrs. J.E. Val-Mejias, M.D.
1987/1.365

Zhu Zumou (Chu Tsu-mou)
Calligraphy (couplet)
1857 – 1931
Gift of Sarah and Otto Graf, supplemented by the Margaret Watson Parker Art Collection Fund
1980/2.196
Hanging painting on white cloth. Painting is done in very stark blacks and whites with very little shading or faded color. A tree occupies the foreground and the left side of the painting. Mountains are in the background, as well as a boat, on the right side. An inscription is located in the upper right corner of the image.
Zeng Xi (Tseng Hsi)
Ink Landscape
1923
Gift of Sarah and Otto Graf, supplemented by the Margaret Watson Parker Art Collection Fund
1980/2.202
A bird is perched on a branch on the upper right with its tail extending to the left of the painting. The bottom right has a branch with a knot in the middle and a signature to the left of the knot. Coming down from the top of the print on the left is a pine branch. 
Yanyong Ding (Chinese (culture or style))
Bird of Longevity on Pine Branch
1830 – 1880
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1983/2.154
In this snowy scene a plum tree and rock seem are seen atop a hill.  The elegant, contorted trunk and branches of the tree create a visual arch over the image, framing the rock, snow, and block of calligraphic text below.
Chang Ku-nien, Chen Shu-chen
Plum Blossoms in Snow
1975 – 1999
Gift of Dr. Cheng-Yang and Mrs. Shirley Chang
2006/1.129
An intricate ecology of plants grows up this mountainside landscape.  Two men walk in a clearing below a building.  A waterfall flows downward on the upper left, below calligraphic text.
Chang Ku-nien
Waterfall at Milky Way Cave
1970 – 1990
Gift of Ted and Syauchen Baker
2006/1.143

Wang Yachen
Pine Tree, Mountains and Ancient Temple
1966
Gift of Benjamin Chou and Dr. Christina Fang
2007/2.25
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