53 UMMA Objects
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Japanese (Japanese (culture or style))
Arita ware shallow dish with landscape scene of fishing boats by a willow tree
19th century
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.304
A group of armed men struggles in a landscape while a helmeted female figure hovers on a cloud above them and points to a distant city that lies across an expanse of water. A man at the left with a green cuirass and cloth knotted about his waist and neck stands apart from the combatants and looks up toward the gesturing woman. Behind him appears a row of sword-wielding men locked in combat, with several casualties lying at their feet. On a hillock in the background a pair of oxen, an orange-gold colored sheep, and a winged dragon may be discerned.
Jason Sowing the Dragon's Teeth
1557 – 1600
Gift of Dr. Cecile L. Fusfeld
1978/2.38
A blue and white platter. White porcellanous body with painting in blue under a clear glaze slightly tinged with blue-green.
Ali ibn al-Hajj Muhammad
Platter with an inscription from a Hadith [a saying of the Prophet Muhammad], signed by Ali ibn al-Hajj Muhammad
1600 – 1799
Transfer from the College of Architecture and Design
1972/2.158
The circular, smaller white porcelain plate has a design of gourds, flowers, vines and leaves around the rim. The gourds are outlined with blue underglaze and colored with yellow overglaze. Blue underglaze and transparent green overglaze are used for the leaves. The flowers and vines are drawn with red. The red enamel is worn off from some of the tendrils, a characteristic of 18th century Nabeshima. The reverse side has four clustered jewel or treasure motifs with four bows and streamers repeated three times. On the shallow foot, bold lines are drawn in a row like a comb. The design on the back is all drawn with blue underglaze. (Referencce: Becker, Sister Johanna. “A Group of Nabeshima Porcelain.")
Artist Unknown, Nabeshima ware, Japan
Plate with gourd and vine design (one of five with 1964/1.100 and 102-104)
1700 – 1732
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1964/1.101
This dish features a three part structural division; the boss is almost flat. Around the depressed area is a band of degenerate Gothic [or pseudo-Arabic] script. On the brim are solid lustre painted zig-zags, possibly a late version of gadroons. The empty areas of this pattern are filled with dots and floral motifs. The reverse has repeated circles only.
Moorish (Moorish)
Shallow Dish
16th century
Transfer from the College of Architecture and Design
1972/2.119
A circular, smaller white porcelain plate. On the upper surface, three vases, similar in shape, are shown overlapping diagonally in blue background. The two outer vases run off the plate’s rim. They are outlined in underglaze blue and are against a painted light-blue background. The left vase is covered with a white glaze (which left unpainted) under a red key-fret design. The center vase is totally covered with a white crackle pattern done in blue underglaze line. The right vase has a design of evenly-spaced red flowers. Precise flat bases are combined with a rather awkward suggestion of a three-dimensional view of the lips. The back has a triple representation of peony buds surrounded by fine branching stems and leaves. On the shallow foot, bold lines are drawn in a row like a comb. The design on the back is all drawn with blue underglaze. (Referencce: Becker, Sister Johanna. “A Group of Nabeshima Porcelain.”)
Artist Unknown, Nabeshima ware, Japan
Plate with three vase design (one of five with 1964/1.100-103)
1700 – 1732
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1964/1.104
This dish features a recessed center with a central boss decorated with a rosette design. The recessed area and rim are painted with floral motifs and leaf designs arranged in concentric rings.
Moorish (Moorish)
Dish with Floral Motifs
17th century
Transfer from the College of Architecture and Design
1972/2.120
A nearly flat, large, shallow stoneware dish, the interior with a delicately incised floral scroll pattern, and the upturmed rim adorned with robustly modelled lotus petals, all on a broad and secure foot.
Annam;Kiln Unknown, Vietnam
Shallow dish with incised floral medallions and molded lotus petals
16th century
Gift of Helmut Stern
1991/1.98

Iranian (Iranian)
Tray
12th century
Museum Purchase
1959/1.110
The interior of this thin porcelain, wide, and low saucer-shaped dish on a footring, is covered with sprayed powder blue underglaze with one large foliate-shaped reserve flanked by two smaller fan-shaped reserves and two smaller quatrilobed reserves, and covered in a clear glaze. All the reserves are painted with overglaze enamels to depict peonies, chrysanthemum and prunus sprays, the white exterior is painted with floral sprays, with underglaze blue double ring with central <em>ruyi-</em>shaped <em>lingzhi </em>mushroom mark to the base.<br />
Part of a ten-piece garniture set which includes: jars, 1982/1.206A, 1982/1.206B, 1982/1.206C, 1982/1.207A, 1982/1.207B, and 1982/1.207C; vases, 1982/1.208, 1982/1.215, 1982/1.216, 1982/1.220; plates, 1982/1.212, 1982/1.213, and bowls 1982/1.221,1982/1.22.
Chinese (Chinese (culture or style))
Dish
1700 – 1722
Gift of the Estate of Hobart Taylor, Jr.
1982/1.212
This maiolica dish is covered by a radial pattern consisting of abstract leaves and curling tendrils punctuated with flowers all centered around a yellow disk in the center of the well. The harmony of the design stems from radial symmetry of the pattern as well as the restricted palette of blue and a soft brass-yellow.
Italian
Dish
1500 – 1525
The Paul Leroy Grigaut Memorial Collection
1969/2.38
This oval-shaped ceramic vessel features a wide, steep rim surrounding a large well in the center. The scalloped edges of the rim are cut back into a deep semicircle on one side. The rim is painted in underglaze blue and yellow with plant and floral motifs that are arranged in a whimsical, asymmetrical fashion around the edge. The well is decorated with similar vegetal motifs and two vaguely stork-like birds with long legs that confront one another on a strip of turf.
French (French (culture or style))
Barber's basin with birds and vegetal ornament
1745 – 1755
1969/2.39
xxxx
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