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12 UMMA Objects
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A crouched figure on the left side with large ears and large mouth holds it's own genetalia. There are two woman figures on the right side with backs to the crouched man. The women are fainter and harder to see in the drawing.
Henri de Toulouse-Lautrec
Erotic Caricature
1864 – 1901
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.106

Sam Mackey (American (North American))
Untitled (Granpa Sam Mackey)
1987 – 1992
Gift of The Daniel and Harriet Fusfeld Folk Art Collection
2002/1.206
Two men sit at the center of the print with inquisitive looks upon their faces. Certain facial elements are distorted. They stand with shoulders haunched, and pupiless eyes. Both sets of arms are restrained by handcuffs, and they are handcuffed to one another at the center of the print.
Ben Shahn (American (North American))
Portrait of Sacco and Vanzetti
1958
Gift of Dr. and Mrs. Irving F. Burton
1975/1.70
Line drawing in felt tip marker on ivory ~ 10x13” paper with shading. Woman’s arm and dress filled in completely with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman’s head and shoulder covering and bodice, and cash register have been modeled in stylized “half tone” of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears splotches of black ink that were possibly made by blowing air on wet ink through a straw. The map has been filled in with ink drips and splatters.
Mark Kostabi (American (North American))
Progress of Beauty 2
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.238
Line drawing in felt tip marker on ivory ~ 10x13” paper with shading. Woman’s arm and dress and the cash register are partially filled in with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman’s head and shoulder covering and bodice, and cash register have been modeled in stylized “half tone” of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears a “pattern” of crosses and eye-shaped forms. The map has been filled in with fingerprints.
Mark Kostabi (American (North American))
Progress of Beauty 3
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.239
Line drawing in felt tip marker on ivory ~ 10x13” paper.
Mark Kostabi (American (North American))
Progress of Beauty 1
1988
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.241

American;Artist Unknown (American (North American))
Temperance
19th century
Gift of The Daniel and Harriet Fusfeld Folk Art Collection
2002/1.183

Sam Mackey (American (North American))
Untitled (Detroit Mich)
1987 – 1992
Gift of The Daniel and Harriet Fusfeld Folk Art Collection
2002/1.204

Jef Bourgeau
Monsieur L'Hôtel
1989
Gift of Thomas Wojtas in honor of his parents Aloysius and Stella Wojtas
2002/2.347

Andrée Ruellan (American (North American))
Circus Talk
20th century
Museum Purchase
1951/1.28

George Grosz (German (culture or style))
The Family
20th century
Museum Purchase
1949/1.204

Honoré Victorin Daumier (French (culture or style))
M. Choiseul, called the Duke
1835
Bequest of Doris Margaret Grigaut for the Paul Leroy Grigaut Memorial Collection
1981/1.318
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