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Results for artist_nationality:"Korean (culture or style)"

336 UMMA Objects (page 1/28)
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It is a earthenware with a man riding a small horse with short legs over a thick rectangle plate. There is a lamp-oil container with hole over the hips of the horse, and a spout sticks out in the front breast of the horse, which enables to pour out water through the inside of the stomach of horse. The figure on the horse wears a triangular hat and armor. The left arm is disappeared.<br />
Korean (Korean (culture or style))
Oil Lamp in the Shape of an Equestrian Warrior
500 – 549
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.187
Flaring base with spherical food storage bowl on top. The base is cut with evenly spaced rectangular holes. The lid is incised with a repeating design.<br />
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This is a grayish white, high-fired stoneware lidded stem cup. The lid features a button-shaped knob at the center, around which a thin circle is inscribed. Triangular line designs are contained within the circle, which is surrounded by a row of semicircles with dots inside. The single-tiered, perforated, trumpetshaped pedestal has three rectangular openings. The pedestal flares widely outwards towards its bottom, which has a horizontally spreading edge.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 62]</p>
Korean (Korean (culture or style))
Pedestal Bowl with Cover
6th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.189A&B
It has a flat base, globular body and straight neck. Two narrow ridges encircle the body and a ridge encircles between the body and neck. The attached handle is a little small and get twisted.<br />
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This is a dark gray, low-fired stoneware cup with a handle. The almost-upright mouth gently inclines inwards, and the rim has a narrow, slightly rounded edge. Separated from the mouth by a horizontal ridge, the body is widest at its upper-central part. Two horizontal ridges encircle the body of the cup where the body is at its widest. The lower part of the body has been pared twice at different angles during rotation.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 70]</p>
Korean (Korean (culture or style))
Large cup with globular body, cylindrical neck and twisted-vine handle
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.192
Stoneware bottle with a squat body, cylindrical neck, flared rim and natural ash glaze. A band stretches along the base of the neck demarcated by two outside lines, and a stamped row of stylized flowers centered in between them. Below the band the body of the bottle dramatically begins to curve outward. Along the body are a series of vertical comb-punched radiating lines.<br />
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This is a dark gray, high-fired stoneware bottle decorated with a stamped design. The shape of the body is spheroidal, while its mouth is wide. A set of raised bands surrounds the center of the neck, while the area below is decorated with a row of stamped semicircular motifs. The upper part of the body is surrounded by rows of vertical dotted lines which have subsequently been erased from parts of the lower body by paring during rotation. The foot is low and slightly splayed.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 82]</p>
Korean (Korean (culture or style))
Bottle with Stamped Flower and Bead Designs
600 – 799
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.194
<p>This bowl exemplifies early-tenth century celadon forms influenced by Chinese Yue ware. It has a halo-shaped foot (haemurigup), a characteristic of Yue ware. It is a high-quality celadon made from fine clay, coated by highly transparent glaze. Surface is plain while displaying crackles on its inner surface and parts of its outer surface. Many similar vessels were excavated from the Kilns no. 9 and no. 10 at Yongun-ri, Gangjin-gun, Jeollanam-do. Refractory spur marks created during firing remain in five places on the rim of the foot.<br />
[<i>Korean Collection, University of Michigan Museum of Art </i>(2014)&nbsp;p.88]</p>
Stoneware tea bowl with celadon glaze.
Korean (Korean (culture or style))
Tea Bowl
10th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.217
It has a outward-turned rim. The side of the body is almost straight. The bottem is flat. There is a comb pattern on the body surface.<br />
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This is a reddish yellow, deep-bowl-shaped, low-fired earthenware vessel. Such vessels were generally used for boiling but this example contains no trace of use and is therefore likely to have come from a tomb. The vessel does not have a neck, the mouth is everted, and the flat edge of the rim features a groove. The vessel body is widest towards the upper-middle section, and the flat base is rounded where it joins the vessel body. The inner and outer surfaces of the vessel body show clear traces of paddling, but it is unclear whether these are cord-paddled markings. The base retains traces of the potter&rsquo;s wheel.<br />
[Korean Collection, University of Michigan Museum of Art (2017) p.45]<br />
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Korean (Korean (culture or style))
Deep bowl with flat bottom and everted, flat rolled rim
298 – 299
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.161
Thin-walled jar consisting of a base, globular body, and flaring neck. The piece is decorated with a bubbled design, and the base has evenly spaced rectangular cutouts. The body is incised with two narrow bands of combed wavy patterns that lay just below sets of two indented lines.<br />
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The long neck of this dark gray or yellow-gray, high-fired stoneware jar with a pedestal splays outwards in a straight line. The rim of the jar is narrow and flat, while the neck is divided into two sections by a set of three narrow, sharp and horizontal ridges. The lower neck section features a wave design that was produced using a five-tooth comb. The body is widest towards its upper-middle part, above which is located a single laterally incised line. A wave design has been applied using a three-tooth comb 1.5cm below this line. The pedestal is short, curves slightly outwards and features five square perforations. Overall, the jar is poorly fired, resulting in surface bubbles. The lower part of the jar features a p
Korean (Korean (culture or style))
Pedestal Jar with Long Neck
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.175
This lotus medallion designed on this round tile-end consists of thirteen petals. The outer rim is decorated with eighteen round dents. The inner ring of the seedpod contains a big central seed surrounded by seven peripheral seeds. The outer rim is embellished with a bead pattern.<br />
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This gray-white, low-fired earthenware tile features a single-tier, thirteen-petal lotus design and is made from fine clay. The large lotus seed at the center of the ovary is surrounded by seven slightly smaller seeds. Evidence of repair using gray clay is visible on the reverse side of the tile.<br />
[Korean Collection, University of Michigan Museum of Art (2017) p.37]
Korean (Korean (culture or style))
Roof Tile
600 – 799
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.199
This dark grayish-blue earthenware vessel is from the Goryeo period. The neck flares out toward the top and the mouth spreads out to the side. The neck is encircled by a thick incised line. A lot of thin lines are encircled on the body. The body has gently sloping sides that flare out and then taper down toward the base and is slightly flatted. Flatted bottle was produced by making a globular body first on the wheel, then flattening it on both sides.<br />
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This is a dark gray, high-fired stoneware bottle. Its neck curves outwards and is connected to a rim with a round edge. The body is widest at its middle. The bottle is entirely covered in distinct traces of rotation and water smoothing.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 83]</p>
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Korean (Korean (culture or style))
Stacking Bottle (with flattened sides)
10th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.208
Stoneware oil bottle with cup-shaped mouth and body in the shape of a Go gaming piece, or Baduk. The body is decorated with painted floral sprays and covered by celadon glaze.<br />
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<p>The bottle is embellished with chrysanthemums with pâte-sur-pâte decorative technique and with the leaves in iron- brown. There are three refractory spur marks on the low foot. It has a dark ground color that appears like deep gray. Glaze on the body is oxidized, producing areas of yellow- brown color. The rim of the mouth shows traces of repair.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.131]</p>
Korean (Korean (culture or style))
Oil Bottle with Chrysanthemum Design
12th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.239
<p>The decoration technique of stamping designs into vessel&rsquo;s surface and filling them with a white slip was continued from Goryeo celadon to buncheong ware. Three or four horizontal lines of chrysanthemum run around the rim. There are three spur marks on the inner base: this is the result of stacking vessels on top of one another during ring, separated by supports. Coarse grains of sand are stuck on the outer base and foot. The clay used for this bowl is fine and contains small amount of sand, while the glaze is pale green in color and well fused. Despite having become warped in the kiln, this bowl well illustrates the crude yet solid characteristics of buncheong ware.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.146]</p>
Korean (Korean (culture or style))
Buncheong ware bowl with stamped and incised designs in white slip
15th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.261
The inner surface of this dish is decorated with stamped design of straw cord, over which has been widely brushed a thick layer of white slip. White slip is also thinly applied to the outer surface. There are spur marks on the inner base, indicating that dish was stacked among others during firing. Such stamped buncheong ware was generally supplied to government offices.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.150]
Korean (Korean (culture or style))
Buncheong ware shallow bowl with rope curtain design
15th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.270
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