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Results for artist_nationality:"Japanese (culture or style)"

1495 UMMA Objects (page 1/125)
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Japanese (Japanese (culture or style))
Saiki Bizen Ware Saucer with Enameled Phoenix Design (1 of 5)
1860 – 1910
Bequest of Margaret Watson Parker
1954/1.524
This rustic looking bowl has a circular base from which the rounded shape of the bowl extends. The clear glaze reveals the brown and black tones of the materials.
Japanese (Japanese (culture or style))
Tea Bowl, ido chawan type
17th century
Bequest of Margaret Watson Parker
1954/1.539

Saitō Kiyoshi (Japanese (culture or style))
Harvest
1950
Gift of the artist
1958/2.12

Saitō Kiyoshi (Japanese (culture or style))
Clay Image (I) (Haniwa figure of "Dancer," holding a pot)
1952
Gift of the artist
1958/2.21

Saitō Kiyoshi (Japanese (culture or style))
Camellia
1948
Gift of the artist
1958/2.7

Saitō Kiyoshi (Japanese (culture or style))
Nude
1954
Gift of the artist
1959/2.15

Saitō Kiyoshi (Japanese (culture or style))
Shinadera Nagasaki (Chinese Temple, Nagasaki)
1955
Gift of the artist
1959/2.19

Saitō Kiyoshi (Japanese (culture or style))
Man and Woman (two heads in profile)
1954
Gift of the artist
1959/2.21

Saitō Kiyoshi (Japanese (culture or style))
Steady Gaze (Cat)
1956
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1980/2.208
This vertical print frames a view of a landscape with an up close view of a bird in the upper right corner that takes up about thirty percent of the image.<br />The viewer is positioned alongside the bird, circling the sky above the twin peaks of a mountain. A crate floats in the water below while smaller birds flocking around it.  Snow covers the ground.<br />The signature and title markings are in the upper right corner, and in the middle along the left side above the landscape.
Andō Hiroshige (Japanese (culture or style))
One Hundred Famous Views of Edo: #107 Fukagawa, Susaki and the Jumantsubo Plain
1856 – 1857
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1960/2.143
Two partially clothed men wade in the water in front of a waterfall. The man on the right holds a wooden placquard with both hands. The man on the left stands further back. Water sprays over his shoulders while he rings a bell with his right hand. The man on the right has elaborately tatooed arms.<br /><br />
This is the center portion of a triptych.<br /><br />
To, Enhiko (Publisher's seal); i 3 aratame (Censor's seal); Toyokuni hitsu (Signature)
Utagawa Kunisada (Japanese (culture or style))
Praying for Hits in the Waterfall of Answered Prayers: Kawarazaki Gonjūrō I and Bandō Hikosaburō V
1863
Gift of Pearl Sellards
1985/1.171B
This print illustrates a scene in a jôruri play based on history.  Ishidômaru is the childhood name of a figure better known to history as Kûkai, the early 9th-century founder of the Shingon sect of Buddhism in Japan. In this scene, the child Ishidômaru has come to the remote mountain of Mt. Kôya in search of his father, a warrior who had taken the tonsure. When the two finally met, the father refused to recognize his son. The rejection of family ties was one of the basic tenets of monastic life in Buddhism.
Andō Hiroshige (Japanese (culture or style))
Kokon Jôruri zukushi series: 'Ishidômaru' (Kûkai as a child)
1835 – 1845
Gift of Pearl Sellards
1985/1.180
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