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Between and Mortarboard


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Results for artist_nationality:"Japanese (culture or style)"

338 UMMA Objects (page 1/29)
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In this painting, a mischievous demon is depicted in priest’s garb begging for alms.
Japanese (Japanese (culture or style))
Ôtsu-e: Demon soliciting alms (Oni no nembutsu)
18th century
Museum purchase for the James Marshall Plumer Memorial Collection
1964/2.102

Yosa Buson (Japanese (culture or style))
Broom, Poems, and Poets
18th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1969/2.24

Japanese (Japanese (culture or style))
Sketches of Flowers: 25 compositions
1695
Museum purchase for the James Marshall Plumer Memorial Collection
1962/2.31
A woman with a sword looks back to her left. Her right hand is hidden by her long sleeve, just above the sword handle. Her blue outer robe is partially removed and reveals a patterned red and blue robe beneath. The bottom of the outer robe has a spray of flowers, and a crest adorns the left sleeve. A lantern lights up the stage behind her.<br /><br />
Unidentified inscriptions.
Shunshō Katsukawa (Japanese (culture or style))
Iwai Hanshirō IV as an Onnadate
1750 – 1799
Museum Purchase
1960/1.156
A man stands calmly looking to the left. He wears a formal sleeveless top (<em>kataginu</em>) and a matching, tan skirt (<em>hakama</em>). Underneath is an orange robe with white designs that match those on the skirt. He carries a sword at his side.<br /><br />
Inscriptions: Publisher's seal: Iwa; Signed: Shun'ei ga
Katsukawa Shun'ei (Japanese (culture or style))
The Treasury of Loyal Retainers (Chūshingura): Sawamura Sōjūrō III as Enya Hangan
1770 – 1801
Museum Purchase
1960/1.159
A medium size, well potted jar with round shoulder and shorter neck. Inside is not totally glazed. On the body, pine, bamboo, and plum trees are finely painted with blue underglaze. Then a translucent glaze is applied, which turns into milky, white color. It has three floral decorations on the shoulder; the decoration is originated in functional elements of “ears” to which ropes were tied for transportation. The neck has a band of double lines and spray design of peony flowers and leaves. The rim of the neck is unglazed. The foot is unglazed; eye is glazed. Some imperfections of glaze are seen toward the bottom. Glaze is scraped off on one part. Many speckles on the surface.
Japanese (Japanese (culture or style))
Blue-and-white jar with floral and leaf design
1615 – 1643
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1964/1.99

Toyohara Kunichika (Japanese (culture or style))
Unidentified actor in the role of Sakuramaru, from the kabuki play 'Sugwara denjû tenarai kagami'; 1/3 of triptych with 1985/1.173)
1867 – 1899
Gift of Pearl Sellards
1985/1.172

Toyohara Chikanobu (Japanese (culture or style))
Setsugekka [Snow, Moon and Flowers]: Yamashiro, Moon over Saga
1867 – 1932
Gift of Pearl Sellards
1985/1.177
Several travellers are walking along the river. There are trees on both sides of the road. A big round moon is above the village houses in the distance. One the other side of the river is a lush forest.
Andô Hiroshige (Japanese (culture or style))
Hôeidô Tôkaidô Series: Dusk at Numazu
1833 – 1834
Bequest of Margaret Watson Parker
1948/1.121

Katsukawa Shunchô (Japanese (culture or style))
Ushiwakamaru and Jôrurihime (mitate)
1780 – 1795
Bequest of Margaret Watson Parker
1948/1.170

Japanese (Japanese (culture or style))
Cylindrical jar with narrow mouth
1900 – 1949
Bequest of Margaret Watson Parker
1954/1.523

Japanese (Japanese (culture or style))
Footed deep bowl
1615 – 1867
Bequest of Margaret Watson Parker
1954/1.547
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