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Between and Mortarboard

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16 UMMA Objects
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William Hogarth
Analysis of Beauty
1753
Museum Purchase
1971/2.61

William Hogarth
A Rake's Progress. Plate V (He Marries)
1735
Gift of Jean Paul Slusser
1962/1.111

William Hogarth
A Rake's Progress. Plate II (His Levee)
1735
Gift of Jean Paul Slusser
1962/1.108

William Hogarth
A Rake's Progress. Plate IV (Goes to Court)
1735
Gift of Jean Paul Slusser
1962/1.110

William Hogarth
A Rake's Progress. Plate VI (He Gambles)
1735
Gift of Jean Paul Slusser
1962/1.112

William Hogarth
A Rake's Progress. Plate VII (In the Fleet Prison)
1735
Gift of Jean Paul Slusser
1962/1.113
This print is vertically oriented with gray markings. A cream border surrounds it and it has “EVENING” written below it. The lower half of the print has a pastoral scene with several adults and children by a stream at the bottom of the print. Behind them, someone milks a cow. The upper half shows the tops of buildings and rolling hills. A sunset is taking place with dramatic clouds.<br />
William Hogarth
The Four Times of Day: Evening
1738
Museum Purchase
1971/2.58

William Hogarth
A Rake's Progress. Plate I (He takes possession)
1735
Gift of Jean Paul Slusser
1962/1.107

William Hogarth
A Rake's Progress. Plate VIII (In Bedlam)
1735
Gift of Jean Paul Slusser
1962/1.114

William Hogarth
A Rake's Progress. Plate III (He revels)
1735
Gift of Jean Paul Slusser
1962/1.109
A figure in elaborate costume with a fur-lined cloak, ruff collar, and medal leans on a bed or couch, a sword in his left hand and right raised with palm outstretched. He faces the viewer but does not look at the viewer. Overturned at his feet is a suit of armor. He is placed within a military tent and to the left is a distant landscape with other tents and figures gathered around a fire, suggesting this is a nocturnal scene.
William Hogarth
Mr. Garrick in the Character of Richard III, 1764
1746
Museum Purchase
1971/2.60

William Hogarth
Analysis of Beauty
1753
Museum Purchase
1971/2.62
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