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Results for artist:"Felix Bonfils"

59 UMMA Objects (page 1/5)
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This photograph depicts a large town nestled into a group of hills as viewed from above. The horizon line is fairly high, allowing for a thin strip of clear sky.
Felix Bonfils (French (culture or style))
Nazareth; vue prise de la route de Cana – Nazareth from the road to Cana
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.29.3
Near-symmetrical interior view of a lavishly decorated building.
Felix Bonfils (French (culture or style))
Intérieur de l'Eglise de l'Anonciation à Nazareth
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.29.8
Close-up view of an altar on which stands a cross, candlesticks, and flower bouquets. A large oil painting hangs above the altar. 
Felix Bonfils (French (culture or style))
Church of St. Joseph, Nazareth, Interior
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.29.9
Two women stand or sit beneath a tree in the right foreground, with a walled city in the distance. 
Felix Bonfils (French (culture or style))
Vue de Jérusalem prise du Mont des Oliviers
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.30.3
In this photograph, a city traces the horizon line beyond a dense press of palm trees and other foliage. 
Felix Bonfils (French (culture or style))
Jaffa pris des Jardins
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.31.5
Exterior view of a building façade with three arched portals, framed by two rows of large trees that span almost the entire height of the photograph.
Felix Bonfils (French (culture or style))
Mosquée El-Aksa—El-Aksa mosque
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.33.4
On the right-hand side of the photograph, a rectangular stone structure capped with two domed cylindrical turrets abuts a crenellated stone wall. Three trees in the foreground dominate the left-hand side of the image.
Felix Bonfils (French (culture or style))
Jérusalem – Porte dorée, vue intérieure
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.3
The photograph shows a rectangular stone tower from below with crenellated battlements, small grated windows, and a sloping base.
Felix Bonfils (French (culture or style))
Tour de David – The tower of David
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.6
Fields of tall grass, along with trees and other foliage in the foreground recede away from the viewer toward the feet of the hills in the background. Two-thirds up from the bottom of the photograph, a small grouping of flat rooftops suggest a small settlement. 
Felix Bonfils (French (culture or style))
Nain
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.29.2
A dozen female figures gather near a stone well; some sit in a group within the structure’s short stone walls while others carry earthen jars to and fro on their heads. Other stone buildings can be seen in the background, suggesting an urban environment. 
Felix Bonfils (French (culture or style))
Mary's Well, Nazareth
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.29.5
A pale stone building with a centrally placed dome dominates the composition of the photograph. A human figure stands out against the light-colored facade. 
Felix Bonfils (French (culture or style))
Eglise du Pater – Church of the Pater
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.30.7
In this photograph, a group of wood-and-straw huts is nestled into a mostly flat and arid landscape with mountains in the distance. 
Felix Bonfils (French (culture or style))
Vue générale de Jéricho—General view of Jericho
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.31.2
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