49 UMMA Objects
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A gray earthenware head from a horse sculpture; its strong muscular neck holding its narrow head high. It is vividly sculpted to show the musculature of the horse's face with flaring nostrils and an open mouth showing its tongue. It has deep set and bulging eyes, ears pointing forward and a flowing mane. It is covered in red mineral pigment. 
Chinese (Chinese (culture or style))
Horse Head
25 – 220
Museum purchase for the James Marshall Plumer Memorial Collection
1964/2.79
A wood carving of a woman holding an apple over her head.
Andre Dimanche
Eve with Apple
20th century
Gift of Dr. James L. Curtis
2011/2.182
Terracotta pipe bowl in a cylindrical shape. The body of the bowl is covered with 'spider-motif' decorations knobs. Another smaller, cylindrical projection—where the pipe stem would attach—is undecorated. 
Pipe Bowl
1900 – 1950
Gift of Dr. James and Vivian Curtis
2000/2.116
A stoneware globular bodied ewer with a narrow, flaring neck and dish-shaped mouth, a curved handle extending from the rim to the shoulder, a spout in the form of a chicken head, and two lug handles on the shoulder.  It is covered in a dark brown-black glaze. 
Chinese (Chinese (culture or style))
Chicken Head Ewer
317 – 439
Gift of Ping and Zenobia Lee
2005/2.93
Oval-shaped piece of veined, green Swedish marble standing on one of its narrow ends. Three holes of different sizes penetrate into the object's center. The holes are painted in a semi-gloss black and matte white.
Dame Barbara Hepworth (British (modern))
Sphere with Colour (Grey and White)
1965
Museum Purchase
1967/1.43
An earthenware figure of a man wears pants and a long coat with tight sleeves and a wide collar belted at the waist. He stands on a square platform with one hand raised. His face has a wide nose, big eyes, and big lips; his hair is pleated down the middle and braided around his head. The coat is colored in amber and green glazes. 
Chinese (Chinese (culture or style))
Central Asian Groom
618 – 906
Transfer from the College of Architecture and Design
1972/2.67
This is an earthenware standing figure of a military official or warrior. He wears Tang dynasty styled armor including a helmet, elbow-length gauntlets, a cuirass with plaques, and taces, worn over a long tunic, loose pants, and boots.  His arm is raised to hold a weapon, and he stands on a rock-styled base, which is covered in amber, green, and cream glazes. The head of the figure is unglazed with traces of mineral pigment. 
Chinese (Chinese (culture or style))
Warrior
667 – 732
Transfer from the College of Architecture and Design
1972/2.68
A tabletop sculpture of a large structure and a man at the corner. The man is nude from the chest to his legs but his face and feet are wrapped in cloth. The whole sculpture is painted with red, black-brown and gold, with strong and visible brush marks. The artists's signature is chiseled into the two corner of the sculpture with the date "S di Giusti / 80".
Sergio De Giusti (Italian (culture or style))
Polychrome Metope
1980
Gift of H. David Zucca
2013/2.303
This sculpture has a rectangular metal base supporting a gray stone and bronze rod, which together support a curved rectangular bronze element. A yellow glass wheel with a square radial and protruding dimples tops the work. 
Herb Babcock (American (North American))
Pillared #5
1990
Gift of Carol Wilke in honor of Manuel and Joan Jacobs
2015/2.56
This sculpture has a series of intersecting steel sheets with jagged edges to create a single figure.
Arthur Gibbons (American (North American))
Telamon
1989
Gift of Jack A. and Noreen Rounick
2015/2.101
This red earthenware head on a thin neck has a petite nose, mouth, and eyes with soft, full cheeks. The figure's hair is pulled up on top of its head, above its two ears. Traces of polychrome pigment remain, showing that the eyes were once painted in detail. 
Chinese (Chinese (culture or style))
Head
206 BCE – 220 CE
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1991/2.79
Large pedestal bowl with flaring mouth and base cut with evenly spaced triangular designs. Three side-by-side horizontal bands decorate the lip of the bowl, while six bands are spaced along the sides encompass the exterior of the bowl. In between these bands incised wavy lines stretch around the body horizontally.<br />
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This is a well-fired, dark gray, bowl-shaped vessel stand. A set of two thick raised bands encircles the stand just below the rim, and three horizontal ridges divide the surface of the bowl below the bands. The sections divided by these bands and ridges have been decorated with wave designs rendered using a four-tooth comb. The bowl has an everted mouth and a round rim. The pedestal is also divided by raised bands into sections decorated with wave designs. Each of the upper two sections features five triangular perforations, while the lower sections feature five triangular perforations alternately offset from those of the sections above. The inner and outer surfaces show faint traces
Korean (Korean (culture or style))
Large Pedestal Bowl or Stand
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.179
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