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Results for terms:women (female humans)

186 UMMA Objects (page 1/16)
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A woman in a hat and half-length jacket stands in bright sunlight in front of a wall. She stands at a slight angle to the viewer, holding a garment in her left hand and possibly a chain in her right hand; she looks up and to the right of the viewer. A dark shadow cast by her body against the wall partly obscures her left side.
James Abbott McNeill Whistler (American (North American))
La Mère Gérard, one of the "Twelve Etchings from Nature," or the "French Set"
Bequest of Margaret Watson Parker

Scepter Finial
1915 – 1925
Gift of Meryl Pinsof-Platt
This wood stick with dark smooth patina shows six registers or symbols carved into it, from top to bottom: closed fist; rifle; wisdom knot; powder keg; female figure with hands covering breasts and genitals; paddle.
Ceremonial Chewing Stick
1900 – 1925
Museum Purchase made possible by the Friends of the Museum of Art
A young woman is seated in bright sunlight on a step or stoop, leaning slightly forward. The light source is to the right, causing deep shadows to fall on the right side of her face. Her arms are folded over the dark fabric in her lap and she holds a cigarette in her right hand.
James Abbott McNeill Whistler (American (North American))
Fumette, One of the 'Twelve Etchings from Nature,' or the 'French Set'
Bequest of Margaret Watson Parker
In this print, one of a series of ten views of "tea house" districts, Kiyonaga has depicted two women and a child strolling along the shore by the sea wall at Takanawa. A woman at left shields her eyes from the summer sun with her fan, and has her obi tied in front of her.  The younger looking companion holding her hand wears a gaily flowered kimono, which has fallen wide open.  A child walks with them, gesturing to the side of the print.  The front portion of a boat and wall of a town or temple lie behind them.<br />This is an especially well-preserved print, where even the indigo blue is still visible.
Torii Kiyonaga
Views of Ten Tea Houses: Takanawa
1778 – 1788
Museum Purchase
This engraving is horizontally oriented. The length of a cow (with its head to the left and its tail to the right) is the focal point, taking up about a third of the image. At the cow&rsquo;s head on the left, a barefooted man with a hat leans on a pole and rests his arm on a tree trunk. Behind the man is another cow with horns and he is standing in front of a building. The ground is rocky and a fence made of thin tree trunks runs along the background. At the cow&rsquo;s tail on the right, is a peasant woman with bare feet. Her head is covered with a cloth and she labors to carry a heavy wooden milk bucket. Several trees and another cow are behind her. A small plaque on the ground in the foreground contains an inscription.
Lucas Van Leyden
The Milkmaid
Museum Purchase
A young woman is seen sitting in profile. She faces to the right, her head bent downward, her waving hair framing her face and falling down her back. Only the face and hair are drawn fully, the rest of the woman's body is quickly drawn in a few lines.
James Abbott McNeill Whistler (American (North American))
Jo's Bent Head
Bequest of Margaret Watson Parker

Japanese (Japanese (culture or style))
Shampooing (Massaging)
1850 – 1899
Gift of Mr. & Mrs. Hiram W. Woodward, Jr.

Baulé (Baule (culture))
Standing Female Ancestor Figure
1935 – 1945
Gift of the Marvin Felheim Collection

Lobi (Lobi)
Female Figure
1920 – 1930
Gift of Lydia Johnstone
Group portrait of four women standing outdoors. The left two women have their arms wrapped around each other's shoulder. The right woman stands with her arms crossed.
Nicholas Nixon (American (North American))
Heather Brown, Mimi Brown, Bebe Brown Nixon, Laurie Brown, New Canaan, CT
Museum Purchase made possible by the Friends of the Museum of Art and the Marvin Felheim Memorial Fund
Three women stand at the center of the piece in front of what appears to be a prison. The woman in the middle covers her mouth with her hand; face filled with anguish. The face of the woman to the right of the painting is not shown, while the woman to the left stands with hands clasp, hair long, and face stoic.
Fanny Rabel
Women in Front of the Prison
1924 – 1958
Museum Purchase
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