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8 UMMA Objects
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Two men smoking long-stem pipes are seen sitting on a balcony. Behind them are visible the masts of ships along the bank, and further behind them in the distance a river sweeps towards the left. Buildings crowd the shore and boats are shown moored or in the river.
James Abbott McNeill Whistler (American (North American))
Rotherhithe, one of the "Sixteen Etchings," or the "Thames Set"
1860
Bequest of Margaret Watson Parker
1954/1.345
Gondolas, striped poles, and channel markers all dot the open surface of water in this image. At the center is a two-masted ship at anchor. In the distance are low islands with buildings and ships in the distance under cloudy skies.
James Abbott McNeill Whistler (American (North American))
The Little Lagoon, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.374
A dark passageway dominates the middle and left portions of the composition; to the right is a group of men seated outside at a table. The passageway has a view at the far end of a man seated while a gondola passes by. In front of the passageway are three young trees, the leaves of which fall in front of the passageway. To the left of the passageway is a child holding a baby. On either side of the passageway are windows that indicate the walls that fill the plate.
James Abbott McNeill Whistler (American (North American))
The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.377
Seen from the water's edge, a canal in the foreground curves to the right and back into space. In the distant view, buildings with balconies and chimney pots are visible as well as a bridge that is cropped by the curve of the waterway. In the foreground, across the canal, are several arched entryways. A dark waterdoor is open and shows a man on the steps and two shadowy figures behind him framed in the doorway; a lantern hangs overhead. To the right, another arched doorway with a metal grille above faces the canal, but is closed. A small open window on the seond floor can be seen between the arched doors.
James Abbott McNeill Whistler (American (North American))
Two Doorways, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.380
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Carlo Ponti (Italian (culture or style))
Ponte dei Sospiri
1855 – 1870
Gift of Margaret and Howard Bond
1995/1.73
This photograph depicts a view of a marble covered bridge spanning the width of a city canal.  Along the embankments are a series of gondolas and a few seated men.
Carlo Ponti (Italian (culture or style))
Rilato Bridge, Venice
1870 – 1880
Gift of Mr. and Mrs. W. Howard Bond
1987/1.343
This print is a black and white abstract depiction of components of a boat and an anchor in a variety of shades of black, grey and white, and many textures, in an angular composition.
Stuart Davis (American (North American))
Composition with Boats and Anchor
1936
Gift of Jean Paul Slusser
1954/1.150
Seen from the water, which dominates the foreground, a barge with a standing man and woman occupy the middle distance. Beyond to the left a three-masted ship is in dry-dock, separated from other buildings and activities on the right by a small inlet of water. Behind the barge to the right is a complex of clapboard buildings; at the far right is another sailing ship pulled out of water. A group of men with flaming torches are tarring the exterior of the hull. This is a view of a busy dockyard along the river Thames under a blustery, cloudy sky.
James Abbott McNeill Whistler (American (North American))
Limehouse
1878
Bequest of Margaret Watson Parker
1954/1.412
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