14 UMMA Objects
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A girl in a short dress walking next to the light coming in from the windows. Man walking towards her, she has a very dark shadow.
Louis Stettner
Penn Station
1958 – 2000
Gift from the Collection of David S. Rosen MD, MPH
2013/2.178
Seascape depicting a cloud-filled sky over the ocean with sunlight reflecting on the rippling water.
Gustave Le Gray (French (culture or style))
Solar Effect in the Clouds--Ocean
1856 – 1857
Museum purchase made possible by the W. Hawkins Ferry Fund
2008/2.1
This work consists of seven photographic prints on semi-transparent fabric, gradually increasing in length, that hang from the sloping ceiling of a stairway in the Frankel Wing. Each panel of fabric has a different image including, craggy rocks, tree branches against the sky, sunlight reflecting on water and marshland, flames of fire and cloud like formations. Four are black and white images and the three others are color prints.
Ernestine Ruben
Untitled
2009
Museum commission made possible with support of the artist
2009/1.469.1-7
A photograph taken from a roof. In the foreground, an African American man stands on the roof wearing a jacket and hat. A street lined with cars and a lone pedestrian are visible below.
Danny Lyon (American (North American))
From Connie's Roof
1967
Gift of Thomas Wilson '79 and Jill Garling '80
2013/2.346
A portrait of a family standing outside in an alleyway. From left to right, a woman stands with her hands on her young daughter's shoulders, while a young boy, barely visible, peeks from behind her. Another young girl stands in the center next to her father, who holds an infant on his hip.
Danny Lyon (American (North American))
Family with a Baby
1965
Gift of Thomas Wilson '79 and Jill Garling '80
2013/2.337
This photograph depicts a hilly landscape enveloped in fog and low-lying clouds. In the foreground stands a black leafless tree.
Wynn Bullock (American (North American))
The Black Tree + Mountain
1956
Gift of Margaret and Howard Bond
2012/1.240
A black and white photograph of a cavernous building. Beams of light stream in through the windows, revealing a smoky atmosphere as people move about the main concourse below.
Interior view of Grand Central Terminal, New York, N.Y.
1930 – 1950
Gift from the Collection of David S. Rosen MD, MPH
2013/2.88
Three birds, executed with spare line and simple form, are set within an abstracted landscape of bright yellows and oranges.
Max Ernst (German (culture or style))
At the Crossroads (En Rade)
1955
Gift of the Estate of Maxine W. Kunstadter in memory of Sigmund Kunstadter, Class of 1922
1983/1.414
A vast surface of orange yields in the very bottom of the painting to a swath of yellow, under which there is a line of white and green, and under that a thin black line.
Helen Frankenthaler (American (North American))
Sunset Corner
1969
Museum Purchase
1973/1.813
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
John Dugdale (American (North American))
Smile For Your Lover Comes (Stone Ridge, New York)
2000
Museum Purchase made possible by the Harry Denham Trust
2003/1.379
This canvas is saturated in layered paint in shades of muted browns, oranges, ochres, and yellows, and crossed by lines: some dark and some light, some on the surface, some buried beneath the surface color. A bold horizontal line cuts across about a quarter of the way from the bottom. On the right, there are several faint verticals. At the top, two horizontal lines underlap and overlap with two diagonals.
Richard Diebenkorn (American (North American))
Ocean Park No. 52
1972
Purchase assisted by the Friends of the Museum of Art and a grant from the National Endowment for the Arts
1974/2.22
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