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Between and Mortarboard

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26 UMMA Objects
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This print shows a festive, large, dense crowd of people at a beach. Some figures on the right side of the print appear to be climbing on top of each other in a human pyramid. To the left is a bridge or boardwalk that is also crowded with people.
Reginald Marsh (American (North American))
Coney Island Beach
1934
Museum Purchase
1956/1.52
A satin hanging scroll painted with ink, this painting focuses on a cliff face. At the foot of the cliff is a roofed building surrounded by trees and a path. The trees climb up the cliff up to the upper fourth of the painting. To the left of the building is a body of water. A small waterfall feeds into it from the lower regions of the cliff. On the right is a distant background scene. The upper right contains four inscriptions two of which, furthest to the right, are written higher than the following two. On the left of the inscription are two red seals on top of each other obscured by the inscription. There is another red seal on the bottom left corner as well.
Okuhara Seiko
Summer Landscape
1877
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1989/2.105
<p>Plain white Ro nagajuban, wears under&nbsp;sheer formal black funerary (mofuku) Ro kimono<br /> (2.487.1)</p>
Japanese (Japanese (culture or style))
Lined Kimono
20th century
Gift of Howard and Patricia Yamaguchi
2013/2.487.2
<p>Silk Turquoise fukuro (single sided) obi made of light material containing thin silver stripes and interwoven silver and floral brocades.</p>
Japanese (Japanese (culture or style))
Obi
20th century
Gift of Howard and Patricia Yamaguchi
2013/2.371
<p>black summer Ro obi with interwoven white, gold, and red daisies.</p>
Japanese (Japanese (culture or style))
Obi
1925 – 1999
Gift of Mrs. Kazuko Miyake
2016/2.22
<p>Sheer black Ro summer Obi with eight embroidered silver-beige and various blue modified &ldquo;Kotobuki&rdquo;.</p>
Japanese (Japanese (culture or style))
Obi
1925 – 1999
Gift of Mrs. Kazuko Miyake
2016/2.29
View of a large estate taken from the garden.
British;Meatyard
Osborne House, Isle of Wight
1860 – 1870
Gift of Mr. and Mrs. W. Howard Bond
1987/1.330
This six-fold screen, a half of a pair, is meant to represent six of the twelve months of the year, with keen attention paid to the birds and flowers associated with each. Although this screen bears Kano Tan&rsquo;yu&rsquo;s signature, it was probably created by his studio or by followers working in this famous artist&rsquo;s style.
One of a pair of six-fold screens
19th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1965/1.178
These panels represent six of the twelve months. The panels each have calligraphy and a red seal in one corner. In each panel there is a bird and a type of plant, which are suggestive of particular months. On the top left panel there is bamboo, the bow of the boat with a small lamp attached to it, and a type of water fowl. In the bottom middle panel is a blooming sakura tree and a pheasant. In the bottom left panel is blue and white wisteria ans small sparrows. In the bottom right panel there is a willow slowly coming back to life after winter over a thatched building.
One of a pair of six-fold screens
19th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1965/1.179
Landscape featuring three cows in a green and yellow field approaching a water source. Trees occupy the middle ground and a mountain range is visible against the blue sky. Larson 2/5/18&nbsp;<br /> &nbsp;
Clinton Loveridge
Summer near Bethel, Maine
1844 – 1895
Bequest of Henry C. Lewis
1895.88

Louis Bunce
Summer Windows #2
1946
Museum Purchase
1948/1.44
A vase with flowers sits before a window, between two books that lie on a table, and framed by open red curtains. The landscape outside the window shows a blue cloud sky above a body of water.
Marsden Hartley (American (North American))
Northern Summer Window
1936
Museum Purchase
1949/2.89
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