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Results for terms:storage jars

17 UMMA Objects (page 1/2)
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This unglazed, earthenware globular jar has a flat base, wide neck, and two lug handles applied to shoulder with a combed pattern around body.
Chinese (Chinese (culture or style))
Jar
1046 BCE – 771 BCE
Gift of Mrs. Henry Jewett Greene for The Mr. and Mrs. Henry Jewett Greene Memorial Collection
1971/2.66
A light gray-buff earthenware <em>weng </em>甕 jar with a wide globular upper body, slightly angled shoulder and conical lower body on a flat base, and a short narrow neck with rim articulation. There are two appliqué coils around the upper body, with impressed rope decoration, and an impressed wheel or rope decoration around lower coiling on the lower portion of the body.
Chinese (Chinese (culture or style))
Jar
770 BCE – 476 BCE
Gift of Domino's Pizza, Inc.
1993/1.70
A buff stoneware globular jar, with a tapered base and wide, high shoulders, tapering to a wide, short neck with an everted rime and two small loop Hades on the sides near the rim. The work ranges from shades of brown to tan.
Chinese (Chinese (culture or style))
Small storage jar with two small loop handles
618 – 907
Museum Purchase
1950/2.14
This grayish-blue stoneware jar has a globular body and short, a little flared neck. The surface of the body is encircled with a lot of thin incised lines. The base is a little flat.<br />
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This is a dark gray, short-necked, high-fired stoneware jar with a flat bottom. The edge of the rim is round, and the inner surface of the neck is slightly tapered below the rim. The body is at its widest in the central part, while the flat base is rounded where it meets the body and is slightly indented at the edges. The entire body shows traces of rotation and water smoothing, with uneven surfaces resulting from rough water smoothing particularly visible on the lower part. The base also shows traces of having been pared and rubbed.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 50]</p>
Korean (Korean (culture or style))
Storage Jar with wide mouth and everted rim
6th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.173
This grayish-blue stoneware jar has a globular body and short, a little flared neck. The surface of the body is adorned with a wave design and encircled with two thin incised lines. The base is flat.<br />
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This is a dark gray, bottle-shaped, high-fired stoneware vessel. Its short neck briefly slopes inwards and smoothly connects to a mouth that curves outwards. The rim is slightly rounded. The body is widest at its middle, which is surrounded by two thin incised lines with a wave design in between. The base is flat, without a foot, but has raised edges.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 76]<br />
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Korean (Korean (culture or style))
Small Storage Jar
500 – 699
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.171
This light grayish-blue stoneware jar consists of a globular body, short straight mouth and a little high flared pedestal foot. The body is decorated with two incised line and combed wave design. The foot whose bottom is rolled outward is a little high.<br />
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This is a dark-gray, short-necked, high-fired stoneware jar with a pedestal. The neck is slightly splayed and then curves inwards towards a slightly blunt rim. Two sharp horizontal ridges mark the areas, respectively, where the vessel mouth and neck, and the neck and shoulder meet. The body is widest at its center. A set of two incised horizontal lines runs around the upper part of the body creating a wide raised band. The same technique was used to form two wide raised bands along the lower part of the body. A slightly crude wave design has been incised on the surface in between the upper and lower bands, as well as above the upper band. The pedestal is widely splayed, features four rectangular perforations, and has a round, thick edge.
<p>[Ko
Korean (Korean (culture or style))
Round storage jar on cut-out pedestal foot
300 – 499
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.186
This reddish brown earthenware jar has a globular body and long, widely flared neck. The below surface of the body is adorned with beaten parallel line.<br />
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This is a gray-brown, long-necked, high-fired stoneware jar with a round bottom. Its neck extends up in a straight line before flaring out suddenly near the rim, the edge of which is slightly concave. The body is globular and widest at its middle. Below this part of the vessel are decorations consisting of vertical paddled patterns that are parallel or superimposed. It is likely that the paddled pattern was also applied to the upper and middle parts of the vessel body, but was later erased during the rotation and water smoothing process. The inner surface of the body shows traces of rotation and water smoothing, along with fingerprint marks made in a vertical direction.<br />
[Korean Collection, University of Michigan Museum of Art (2017) p. 46]<br />
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Korean (Korean (culture or style))
Round-bottomed storage jar with rolled, uneven rim
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.162
It was common in the Gyeongju area, capital of the Silla Kingdom. The jar has a globular body, neck with straight sides and a little straight pedestal foot. Thick ridges encircle the mid upper part of the body and the lower and middle parts of the neck. The lower two sections of the neck are embellished with a delicate wave pattern. The low pedestal foot features eight square perforations at even intervals.<br />
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This is a gray, long-necked, high-fired stoneware jar with a pedestal. The neck is slightly splayed and the mouth curves inwards. Two horizontal ridges on the neck are formed by deeply incised horizontal lines. This method has been repeatedly used to form the other bands, one located on the center of the neck and the other where the neck and body meet. The section between these bands is decorated with a wave design formed by an eleven-tooth comb. The body is widest towards the upper-middle section, and a horizontal ridge, formed by two horizontal incised lines, is located slightly above this
Korean (Korean (culture or style))
Storage jar on cut-out pedestal foot
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.184
This grayish-blue stoneware jar has a globular body and short, a little flared neck. The entire surface of the body is adorned with vertical line and encircled with thin incised lines. The base is flat.<br />
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This is a gray, bottle-shaped, high-fired vessel. It is covered entirely with parallel diagonal striations, and these have been erased in some parts by rubbing the surface from right to left. The neck, connected to the top of the body where it suddenly grows much narrower, flares widely toward the rim, which has a grooved edge. The body is widest at its middle, around which two thin horizontal lines are incised. The lower part of the outer surface has been pared during rotation. The base of the vessel is flat and has a recessed center.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 75]</p>
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Korean (Korean (culture or style))
Small-mouthed storage jar with impressed cord design
6th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.164
This bright grayish-blue stoneware jar consists of a round base, globular body and long flaring neck. Narrow single ridges encircle the middle part of the neck, dividing it into four sections. Each section is engraved with a wave pattern. The shoulder doesn&rsquo;t have any pattern.<br />
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This is a blue-gray, long-necked, high-fired stoneware jar. The horizontal ridge on the upper part of the long vessel neck marks the boundary between the neck and its inwardly curved mouth. The mouth slopes inward and has a sharp edge. The neck is divided into four sections by three horizontal ridges spaced at equal intervals, and each section is decorated by a wave design rendered with a comb with approximately ten teeth. The jar is widest at its upper-middle part, and the base is round with a slightly recessed center.<br />
[Korean Collection, University of Michigan Museum of Art (2017) p. 47]<br />
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Korean (Korean (culture or style))
Storage jar with bands of incised wavy patterns at neck; lid missing
5th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
2003/1.384
The gray jar with a little long neck has a foot with rectangular perforations. The relatively thick mouth is slightly everted. Three deep incisions encircle the midsection of the neck. The globular body is decorated with two incised line encircled the body. There are wave designs on the neck and upper body. The foot whose bottom is rolled outward is a little high and wide.<br />
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This is a blue-gray, long-necked, high-fired stoneware jar. The long and flared neck of the jar is divided into four sections by thin horizontal incised lines in three places. The sections are decorated by the repeated use of short, downward strokes and wave designs made from scratching the surface with an implement. The body of the jar is widest at the middle, and slightly above the widest point, two incised lines have been drawn to form a section where the same wave design is applied from right to left according to the above technique. The lower part of the body shows faint traces of a parallel paddled pattern that has almo
Korean (Korean (culture or style))
Large storage jar on cut-out pedestal foot
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.185
This Maebyeong is wide at the shoulder and gradually narrow down to the base. The neck is a little long and body is high.<br />
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This is a dark gray, high-fired stoneware maebyeong (prunus vase). The saucer-shaped vessel mouth is joined to a short, flared neck. The body extends downwards in a straight line from the shoulder before flaring slightly near the base. Its wall is not smoothed leaving it uneven. The shoulder has become contaminated by impurities during firing, and the center of the base is slightly recessed.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 84]</p>
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Korean (Korean (culture or style))
Maebyeong (Wine Storage Bottle)
918 – 1392
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.211
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