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277 UMMA Objects (page 1/24)
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There is a single branch that rises from the bottom of the painting and that ends at the top of the painting. There are smaller twigs that jut out from the main branch and that each have vibrant red-orange maple leaves growing from them. There are signatures and seals in the bottom left corner of the painting.
Nishiyama Kan'ei
Maple Leaves
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.195
There is a single pheasant standing in the middle of the painting with its head turned around to peck at its feathers. There are a mixture of red, blue, green, and black feathers on the pheasant. Behind the pheasant is a plant growing from the ground. On the ground surrounding the pheasant and plant is grass. There are two seals, one on the left side of the painting and the other on the right side of the painting.
Nishiyama Kan'ei
Pheasant
1850 – 1899
Museum Purchase made possible by the Friends of the Museum of Art
1990/1.196
There are two white egrets standing next to each other in the water, one is looking foreward while the other is pecking at itself. Beside them is a tree with branches and green leaves hanging above them.
Nishiyama Kan'ei
White Egrets under a Tree
1850 – 1899
Museum Purchase made possible by the Friends of the Museum of Art
1990/1.206
There is a clump of grass, red wildflowers, and plants with big green leaves growing together. Beside them is a tree with branches. There are two seals in each of the bottom corners and a signature on the left side of the painting.
Nishiyama Kan'ei
Wildflower and Leaves
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.194
There are four turtles of various sizes in the water. There is a signature and in the bottom left corner of the painting and two more seals on the right side of the painting.
Nishiyama Kan'ei
Turtles
1889
Museum Purchase made possible by the Friends of the Museum of Art
1990/1.197
There is s single quail standing with its beak open in a patch of grass facing a small clump of flowers and tall grass. There is a signature in the top left corner of the painting and another signature and seal in the bottom right corner of the painting.
Nishiyama Kan'ei
Quail
1887
Museum Purchase made possible by the Friends of the Museum of Art
1990/1.210
There is a crabapple branch that hangs down. It starts from the top and ends in the middle of the painting. At the tip of the branch, there are many leaves and crabapples. Above this branch there is another cluster of leaves and crabapples, however, the branch it connects to is not shown. There is a seal on the mid-right side of the painting, and another seal and signature on the bottom left of the painting.
Nishiyama Kan'ei
Crabapple
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.200
An older woman is shown seated against an undifferentiated background. She has a dark hat on and is sitting facing towards the right, although her head, tilted on an angle, faces the viewer. Most of the figure is drawn with cursory attention, but the face is very delicately, fully modeled.
James Abbott McNeill Whistler (American (North American))
An Unfinished Sketch of Lady Haden
1895
Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1973/1.735

George Ludwig Mueller
Untitled
Gift of Herbert Barrows
2000/2.169

Lovis Corinth (German (culture or style))
Kanone am Strand (A Canon on Strand)
1916
Gift of Herbert Barrows
2000/2.275
A study of a partial section of a gnarled, twisting tree trunk done in blue crayon. 
Ker-Xavier Roussel (French (culture or style))
Study of a Tree Trunk
early 1880s - early 1940s
Joseph F. McCrindle Collection
2009/1.515
There are two cranes standing next to each other below a pine tree. One has its head up looking into the distance, while the other has its head pointed down to the ground. Only a corner of the trunk belonging to the tree is shown to the right of the cranes and another small corner of a branch with needles is shown above the cranes in the top left corner of the painting. There are two seals, on in the top right corner and the other in the bottom right corner of the painting.
Nishiyama Kan'ei
Cranes under a Pine Tree
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.201
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