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19 UMMA Objects (page 1/2)
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A cone-shaped headdress with a cylindrical finial rising from its top. Three long flaps hang from three projections located near the top of the finial. The green field of the main body and finial is embroidered with cowrie shells arranged in a four-pointed rosette pattern. Cowries also appear on the round flat top of the finial where they radiate around a circle of alternating red and white beads. Cowries form a fringe around the lower border of the cap and are accompanied by brass bells along the edges of the flaps. The headdress is bordered at its lower edge and at the top and bottom of the finial with a checkerboard pattern in red and white beads between thin rows of alternating green and white beads. Five double rows of white beads form a chevron pattern on the wheat-colored field of the flaps.
Kuba (Kuba (Democratic Republic of Congo style))
Royal Hat
1895 – 1905
Gift of Marc Leo Felix, Brussels
1982/2.76
A dome-shaped cap with alternating patterns of straight and wavy linear designs. Between the wavy linear designs are spaces allowing one to see through the cap. The bottom of the cap contains four symettrically positioned flaps. 
Kuba (Kuba (Democratic Republic of Congo style))
Titleholder's hat
19th century
Museum purchase
1985/2.71

Kuba (Kuba (Democratic Republic of Congo style))
Pel ambish
1880 – 1890
Gift of the Friends of the Museum of Art in honor of Evan M. Maurer
1988/2.1
Cone-shaped cap with flattened top. The cap is stitched with black linear uneven chevron patterns. The bottom of the cap contains four symmetrically positioned flaps. 
Kuba (Kuba (Democratic Republic of Congo style))
Titleholder's hat
1945 – 1955
Museum Purchase made possible by the Friends of the Museum of Art
1985/1.163
Lady Eleanor Dundas is shown half length, seated in front of a brown background.  She looks towards the light source to the right of the painting.  She is dressed in a diaphanous black dress with an Empire cut and black veil.  A sheer lace collar frames her throat.  She has heavy lidded eyes and an alert or slightly mournful expression
Henry Raeburn
Lady Eleanor Dundas
1790 – 1800
Bequest of Margaret Watson Parker
1955/1.83
A dome-shaped cap with alternating patterns of straight and wavy linear designs. Between the wavy linear designs are spaces allowing one to see through the cap. 
Kuba (Kuba (Democratic Republic of Congo style))
Titleholder's hat
19th century
Museum purchase
1985/2.72
Vertically positioned drum with cylindrical form. There is a face carved into the drum and underneath the face is a carved hand. Right above the hand is a rectilinear design, resembling interlocking boxes, wrapping around the circumference of the drum. Directly behind the hand is another geometric pattern resembling interlocking diamonds wrapping around the circumference of the drum.
Kuba (Kuba (Democratic Republic of Congo style))
Drum
20th century
Gift of Al and Margaret Coudron
1983/2.171

Seong Moy
The Royal Family
1952
Bequest of Florence L. Stol
1968/1.101

Anne Ryan (American (North American))
King and Queen
1944
Gift of Gerome Kamrowski
1979/2.129

Jacques Callot (French (culture or style))
Distribution of Rewards, No. 18 from 'Les Grandes Misères de la Guerre'
1633
Anonymous Gift for The Paul Leroy Grigaut Memorial Collection
1972/2.370

Johann Frey
Esther before Ahasuerus, after Domenichino
1681 – 1752
Museum Purchase
1977/2.24
This wooden chair has two squatting figures decorating the finials; one is elderly, bearded, and scarified, while the other is fresh-faced and young. At the lower left rung, two men carry a slit drum; between the caryatid figures supporting the chair’s front legs appear three men; the central slat has incised diagonal patterns called fuliko. At the center, what is possibly a pointy-nosed European’s face replaces the more habitual chikungu masker.
Chokwe (Chokwe (culture or style))
Chair
1900 – 1925
Gift of Robert B. Jacobs
1992/1.136
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