446 UMMA Objects
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Artist Unknown
Portrait of a Young Man
1850 – 1899
Estate of Professor Arthur Lyon Cross
1940.398
A Gothic-style church tower is seen in the middle distance. It dominates a cloudless sky in the upper portion of the image, with trees rising behind the lower portion of the building and a single story outcropping of the building expanding to the tower's left. The architectural details, especially the carved stonework and patterned brickwork, are rendered with precision.<br />
Signed and dated lower right on plate: "John Taylor Arms. 1937". Signed and dated lower right below plate in pencil: "John Taylor Arms 1937".<br />
Watermark: England
John Taylor Arms (American (North American))
Anglia Antiqua, West Walton
1937
Gift of Carl Fredric Clarke
1949/1.42
A girl seen in profile sits, knitting something red. There is a table beyond her and a fireplace with a fan above on the wall on the right side.
Camille Pissarro
Young Girl Knitting (Jeune fille tricotant)
1876
Museum Purchase made possible by the Friends of the Museum of Art
1983/2.250
This black and white etching shows a pier that dominates the foreground of the scene, and recedes toward the left distance while the center distance is vague darkness. There are tall, black pillars along the pier and waves of the water visible to the right of the image. The print is signed (l.r.) "Emil Nolde".
Emil Nolde (German (culture or style))
Hamburg, Landungsbrücke
1910
Museum Purchase
1954/2.29
From the height of a cross, a crucified man, wearing a crown of thorns and a loincloth, looms over a dramatic landscape. Three heads with wings appear near the top of the cross, and a skull and crossed bones lay at its base. A vast prospect of distant mountains and a bustling port unfolds through the background.
Bartolommeo da Brescia (Italian (culture or style))
Crucifixion
1565 – 1576
Museum Purchase
1970/1.177
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Odalisque
1934 – 1967
Museum Purchase
1971/2.150.3
Within an elaborate decorative framework consisting of griffins, birds, dogs, and fantastic half man-half beast creatures is a central panel with the image of a nude woman standing on a column holding a victor&#39;s wreath in either hand. Approaching for either side is a man in a quadriga holding a banner; each also holds a line that extends up to the wreath in the woman&#39;s hand.
Hans Vries
Ornament Print from a series: 'Grottesco in diversche manieren'
1555 – 1560
Museum Purchase
1960/1.118
This impressively large engraving depicts the muscular back of a marble statue of a man. The figure leans upon a club draped with a lion skin and holds three apples in his right hand behind his back. Two men look up at the statue from the lower right corner of the print.
Hendrick Goltzius
The Farnese Hercules
1587 – 1597
Museum Purchase made possible by the Friends of the Museum of Art
1994/2.13
Study of deadly nightshade plant. <br /><br />
Eva Caston 2017
Warren Lombard (American (North American))
Deadly Nightshade
1938
Gift of Prof. and Mrs. Alfred H. White
1940.129
The piece includes a large title section, landscape image of the garden,<br />
two seals of the artist, and a portion of calligraphic text.<br />
The text reads: &quot;The Small Cloud Dwelling occupies a corner of Mr. Dingfu&#39;s Green Surrounded Mountain Villa in Nanxun. His respected wife, Lady Pang, used to meditate and chant sutras there&hellip; In the 8th month, fall of 1909, Lu Hui completed this painting &hellip;&quot;
Lu Hui
The Small Cloud Dwelling
1909
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1981/1.308
A scene in the life of Mahavira. The composition is designated a narrow strip near the left, while the rest of the page is used for text and red circles. The illustration is divided into two registers, with depictions of two women in each. The infant Mahavira is seen in his mother’s arms, at the upper left.
Indian (Indian (South Asian))
The Sixth Night Vigil from a Kalpasutra manuscript (fol. no. 38v), depicting two pairs of queens
1478
Gift of Professor Walter M. and Nesta R. Spink in memory of Morris Foster
1981/2.162
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