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Results for terms:porcelain (visual works)

156 UMMA Objects (page 1/13)
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Seifû Yohei III
Vase, shaped like heishi jar, with spread base
1880 – 1914
Bequest of Margaret Watson Parker
1954/1.514

Seifû Yohei III
Incense burner
1880 – 1914
Bequest of Margaret Watson Parker
1954/1.498
A porcelain inkwell with floral decorations.  The base is white but the flowers are in various colors, including red, blue, and pink.
Artist Unknown
Porcelain floral inksander and bottle
1875 – 1975
Gift in loving memory of Donald Maxwell Robiner from his family
2010/1.265
A gold colored porcelain urn. Images are included on the sides.
Japanese (Japanese (culture or style))
Satsuma Urn
1867 – 1899
Gift of Mary Beth and Holger Petersen
2011/1.77

Seifû Yohei III
White teapot with stamped dragonfly design (pair w/ 1954/1.503)
1893 – 1914
Bequest of Margaret Watson Parker
1954/1.512
A porcelain inkwell of a woman sitting. She is holding a green vase in both hands and is wearing a blue pointy hat. The rest of her outfit is orange.
Artist Unknown
Seated Woman Inkwell, iridescent porcelain with blue peaked lid vase, figure
1875 – 1975
Gift in loving memory of Donald Maxwell Robiner from his family
2010/1.276

Dutch
Blue-and-White Small Delftware Bowl
Gift of Ellen and Richard Laing
2006/2.57

Seifû Yohei III
Rectangular covered box with hand-painted chrysanthemum painting
1880 – 1914
Bequest of Margaret Watson Parker
1954/1.513

Chinese (Chinese (culture or style))
Blue-an-white cargo bowl "Batavian" with abstract landscape design and "cafe au lait" exterior
1745 – 1755
Gift of the William T. and Dora G. Hunter Collection
2002/2.12

Seifû Yohei III
Miniature Vase with Rabbit Design (1 of 2)
1880 – 1914
Bequest of Margaret Watson Parker
1954/1.507
This jar has a long and upright mouth with a robust shoulder that give way to a body tapering toward the base. The crane, cloud, pine tree and rock are painted with blue and red copper pigment.<br />
<br />
This jar was produced at a kiln in Bunwon-ri, Gwangju-si, Gyeonggi-do after the privatization of official court kilns in 1883. Ten longevity symbols, including pine trees, rocks, lingzhi fungus, deer, cranes, clouds and bamboo, are decorated in cobalt-blue and copper-oxide pigment was used in parts to decorate the jar. Such jars featuring the ten longevity symbols were often used at events such as elder statesmen&rsquo;s gathering (giroyeon) and 60th birthday parties (hoegabyeon). Crackles were formed on the mouth and body, which are contaminated with impurities, but it remains intact overall. The foot retains traces of coarse sand supports, but lots of cracks were formed.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.169]
Korean (Korean (culture or style))
Blue-and-white balustrade jar with design of stag, crane, and pine tree
1850 – 1899
Transfer from the College of Architecture and Design
1972/2.81

Chinese (Chinese (culture or style))
Blue-and-white shallow plate with the character shou (longevity), surrounded by 4 crabs
Gift of Ellen and Richard Laing
2006/2.53
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