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Between and Mortarboard


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Results for terms:photolithographs

32 UMMA Objects (page 1/3)
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This black and white photolithograph has a frame of white squares, halfed by a thin line and edged with thick black lines. Towards the top of the print, there are four panels. Each panel has a different abstract design of shapes patterned with grids, lines, and checkers. At the bottom of the print, there is another framed panel with rectangular shapes with differing-sized checkers.
Sir Eduardo Paolozzi (British (modern))
The ABC of Z
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.26
This photolithograph is in five colors: burgundy, red-brown, dark-orange, dark-olive, and grey. It shows a photograph of a race car driver in his car with the exhaust pipes at the center of the frame. On the left and below the image, there are a series of irregular squares in the afforementioned colors; they are in random order. 
Sir Eduardo Paolozzi (British (modern))
Synthetic Sirens in the Pink Light District
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.6
This photolithographic print in shades of pink and blue has a series of grids and squares that overlap to create a kind of optical illlusion.
Sir Eduardo Paolozzi (British (modern))
Becoming is Meaning like Nothing is Going
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.13
Photolithographic print in pink, orange, white and yellow with a face of a woman at the top and horizontal stripes then a grid at the bottom. The woman has metal curlers in her hair and a cosmetic face mask on, which is pink, in contrast to the orange image.
Sir Eduardo Paolozzi (British (modern))
Astute sizing up perfume trends
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.7
This print has three main images all printed in a monochromatic grey. At the top is an image of a man, in a tweed coat and fur hat, polishing a motorcycle. The scene is from a pier. The sign says "GANGWAY 1," with the ocean and the Statue of Liberty in the background. The central image is a detail of the face of the Statue of Liberty, with a small boy visible in her crown. The bottom image is more abstracted shapes from a dot-matrix image.
Sir Eduardo Paolozzi (British (modern))
Fifty Nine Varieties of Paradise
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.31
This monochromatic photolithograph has a large image on the lower portion of the page and text at the top. Below, the scene has a satyr writing a motorcycle at the center. He is chasing a nude woman off, who runs off the right side of the image. Above, the text reads, "HOW TO SPEND TIME IN HOLLYWOOD / ADD HOLYWOOD IDOCY: STUDIOS DOCK A 522 _ A _ WEEK WORKER WHO IS ILL, YET PAY AN AUTHOR $18,000 TO SIT AROUND AND KNIT A SCARF", etc.
Sir Eduardo Paolozzi (British (modern))
How to spend time in Hollywood
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.36
This print has a black background with seven gears of various sizes floating in the blackness. There are three softer greyish ones clustered togther at top of print, three shiny ones on the bottom. Both of these clusters have their gear teeth on the exterior circumference. The last large gear in the center has the gear teeth on the interior of the circumference. There is a golden yellow object within the center gear; and the word "DANCER" is near top of print where the "C" intercepts the large gear, making it possible to read it as "Danger."
Man Ray (American (North American))
Danger--Dancer ILXT
1972
Gift of the Marvin Felheim Collection
1983/1.212
This photolithographic print in shades of blue and rusty red is separated into three main registers. There are three television screens at the top, each with a different image: from left to right, a woman putting on her earrings as a man looks on, an American football game, and an image of a man in a suit from the chest up with the text Dr. Walter W. Heller. Below these images, there is a register with a grid of squares within squares with two large rectangular boundries; at the far right, two larger squares are stacked vertically. The bottom register of images shows a contemporary domestic kitchen, the colors of which are transected in two places, and, in the foreground, an oversized image of a female hand holding a sandwich and a fork with salad attached.
Sir Eduardo Paolozzi (British (modern))
Calling Radio Free America
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.5
This print is monochromatic, in a dark blue, and shows an image of a parrot, created out of computer parts. Just the chest and head of the mechanical parrot are visible and the bird faces to the right of the print. Below this image is a design showing the movements of pistons at four moments in their cycle. The print is signed and dated by the artist in pencil (l.r.) "Eduardo Paolozzi A/P 1965/70".
Sir Eduardo Paolozzi (British (modern))
Will Man desert the Dog for the Dolphin?
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.24
The majority of this print is blank, except for a series of photos and patterns on the center-left. There are three main sections. At the top are a series of horizontal bands; some are just lines in maroon, pink, red, green and yellow, and one large band has a red checker-board pattern on a maroon background. Below, there are two photographs: each one shows a different group of performers in costume lined up on display.
Sir Eduardo Paolozzi (British (modern))
New Semester Reward of the Oppressed
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.17
This colorful, horizontally-oriented print has three main scenes: one vertical on the right, and two stacked horizontal scenes on the left. On the right, there are a series of colored arrows that start in the top corners and move down, coming together through a red and green checkered ring, and then separated back out through white bands to each side. In the top left scene, there is a photo of a person in a car; the car's back "suicide door" is open. On the bottom left, there is a photo of a circuit board above a series of squares and checkers at the base.
Sir Eduardo Paolozzi (British (modern))
Totems and Taboos of the Nine-to-Five Day
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.19
This photolithograph is oriented horizontally and created in multiple colors. On each side, at top left and right, there is a block of squares within squares, in a variety of colors—orange, blue, purple, white, pink, yellow, brown. Below these blocks are multi-colored bands of horizontal stripes; below these are bands of vertical stripes. At the center of the image, there are two photographic images: on the left, a woman with dark hair and light skin with earrings on a yellow-orange background, and on the right, a brown-haired man in yellow playing an electric guitar on an indigo-blue background. Below the photographs is a horizontal line of multi-colored vertical stripes. At the bottom in the center is a series of rondels, each with a cartoonish multi-colored scene: left to right, girl and floating, horned mask, a cowboy with guns, and a clown. The artists signed and dated the print at the base. 
Sir Eduardo Paolozzi (British (modern))
An Empire of Silly Statistics...A Fake War for Public Relations
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.10
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