93 UMMA Objects
Sort by

This hanging scroll depicts three white chrysanthemums. The flowers form a dynamic arc, and were executed with powerful, rapid brushstrokes. The contrast between the thin lines of the petals of the flowers and the dark thick strokes made with the side of the brush suggesting the leaves and stalks of the plants creates the main visual drama of the painting. 
Soga Shōhaku
Chrysanthemums
18th century
1960/1.183
A man sits on a striped surface with his legs crossed under his red clothing. He wears a white sash across his right shoulder and a red hat. In his hands he holds a sheathed sword.
Indian (Indian (South Asian))
Portrait of Raja Sidhu, Sen of Mandi
1745 – 1755
2010/2.26
This image has three large figures sitting in a row. The two slightly larger figures (one with a white face; left and the other with a black face; right) flank a smaller yellow faced figure. Painted in a distinct blue-background strip beneath these large figures are several smaller figures. Next to three of these figures are trays holding food.
Indian (Indian (South Asian))
Lord Jaganatha with his brother Balarama and sister Subhadra
1964 – 1974
2002/2.192
The color photolithograph has a large bust of a male figure with long brown hair and a beard. The man is wearing a orange shirt with a blue shall. There is a halo in cream, red and green around the figure's head. The print is signed and dated in pencil (l.r.) "Eduardo Paolozzi A/P 1965/70".
Sir Eduardo Paolozzi (British (modern))
Jesus colour by numbers
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.28
An oil painting of New York City skyscrapers in neutral colors. Dark clouds hang in the sky.
Emilio Sanchez
Untitled, New York Skies
1975 – 1985
2011/2.138
A lone boatman appears from behing the rocks, looking forward. Above him and slightl foregrounded arches a tree, and behind him lay a series of trees and rocks. Black dots are used to accent the rocks, and repeating patterns indicate leaves on trees. Red seals are in the lower left and lower right corners, and a third is at the end of the block of calligraphic text at top right.
Chen Huan
Boating on a River in Autumn
1596
1976/1.224
New York City skyscrapers seen from a distance. Dark clouds in the sky could be bringing rain.
Emilio Sanchez
New York Sunset
1975 – 1985
2011/2.137
Groups of figures sit crowded around tables in a dark, smoky interior. In the foreground a man dressed in white hose and a red cap leans on a barrel, his tankard placed at his feet, and looks directly ahead out of the scene. To his left several men cluster around a table to drink and smoke, while other dimly lit figures sit and move about in the background.
Bartholomeus Molenaer (Dutch (culture or style))
Peasants in an Interior
1635 – 1645
1985/1.196
The background of this print is covered with whitish paint or gesso that reveals the texture of the canvas, brush, and its application. Where material has been applied to the canvas there are small wrinkles. Dashes of black paint appear on the lower two thirds of the collage. What looks like a signature is in the bottom left.
Chuang Che
Homage
2010/2.32
An oil painting of a farmhouse and its surrounding land. The farmer stands on the road in overalls with his hand raised, while a cow grazes in a field.
Emilio Sanchez
Untitled, Farm Buildings in Pennsylvania
1945 – 1955
2011/2.139
A blue surface with raised lines of varying lengths and heights made from the oil paint. The largest lines are horizontal and cut across the middle of the canvas. The canvas and a brown frame are attached to create one cohesive piece.
David Budd (American (North American))
Journey Without Maps VIII
1980
Bequest of Gertrude Kasle
2016/2.84
An abstract painting with a bar of mottled blue at the bottom, white in the center, and grey with green at the top.
Jimmy Ernst (American (North American))
Untitled
1982
Bequest of Gertrude Kasle
2016/2.86
xxxx
Loading…