13 UMMA Objects
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A group of women can be seen in a field raking hay.  The central woman faces the viewer in the foreground; she wears a hat that shades her face.  Behind her are two other women, also raking hay, shown from behind.
Camille Pissarro
Faneuses (Haymakers)
1890
Museum Purchase
1953/2.48
An abstract print comprised of images of a sink and a stone wall overlayed with images of textiles.
Robert Rauschenberg (American (North American))
Faus
1984
Bequest of Gertrude Kasle
2016/2.111
Paper size: h 37cm x tw 27 4/5cm & bw 28 1/5cm. Image size: (approximately) w 32cm x h 24cm.
Henri de Toulouse-Lautrec
Mille Lender en Buste
1895
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.389
Lower right corner is torn. Previous owner/dealer sticket remnat on verso. Paper size: h 35 7/10cm x tw 27 7/10cm & bw 27 4/5cm. Image size: h 34 3/5cm x w 25cm.
Maurice Denis (French (culture or style))
Mother and Child
1900
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.432
A print of a mountainscape with several prominent rings in the sky.<br />
<br />
EC 2017
Mary Read
Untitled
1964
Museum Purchase
1965/2.42
A print in primary colors as well as green.
Carroll Dunham
Color Messages B
1986
Gift of Gertrude Kasle
2011/1.68

George Grosz (German (culture or style))
The Hero (Der Held)
1933
Museum Purchase
1935.20
Two abstract figures stand in the central portion of this image.  The figure on the left is much larger than the figure on the right.  The left figure looks toward the right, raising their arms into the air.  They wear a dress that has patterns of waving forms and squiggled lines.  The other figure bends one arm under their chin and has an outfit depicted with lines that curve to right. The background in mostly blank, except for a strip of patterned grey along the left side of the work. The figures stand on a band of black and grey ground.
Max Ernst (German (culture or style))
Dancers
1950
Museum Purchase made possible by the Friends of the Museum of Art
1987/1.264
Two women dressed in dark clothing sit in an interior setting. The nearer woman leans far back in an armchair, head resting on her left hand, legs crossed. The other woman is sitting more upright at the center of the composition. The women look at one another in an attitude of quiet conversation. To the left of the composition is a round table.
James Abbott McNeill Whistler (American (North American))
The Sisters
1894 – 1895
Museum Purchase in honor of Nesta R. Spink, made possible by the Oakriver Foundation
2011/1.75
A man laying on his back dominates this landscape-oriented black-and-white lithograph. He is fully dressed. Positioned diagonally across the foreground and depicted using dramatic foreshortening, his face is near the viewer (a mustache is visible, and he wears a hat reminiscent of a kepi, or military hat), while his stiff upturned feet lead the eye towards the ramshackle wall of paving stones that cuts horizontally across the top third of the composition. A pair of feet peeking out of striped trousers jut into the lower right foreground, while stones and possibly a wheel fill the left foreground. Hazy fences and buildings rise in the background empty stretches of street.<br /><br />
The work is signed on the stone (on one of the piled-up paving stones) in the front left foreground: “Manet / 1871”.<br /><br />
Title printed in typeface below the image: "GUERRE CIVILE"
Édouard Manet (French (culture or style))
Guerre Civile
1871
Museum Purchase
1961/2.20
This vertically oriented black print shows a an electric plug that looks like Mickey Mouse.
Claes Oldenburg (American (North American))
Untitled, from "The New York Collection for Stockholm: 30 Artists"
1973
Gift of Mr. Robert Rauschenberg
1976/2.122
A group of laborers, wearing hats and jackets, walks from viewer's right to left along a street littered with garbage. The two in the front carry shovels. In the background is an industrial landscape, dirty and in disrepair.
George Grosz (German (culture or style))
Ants (Ameisen), from "In the Shadows" ("Im Schatten")
1920
Gift of Jean Paul Slusser
1948/1.22
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