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Between and Mortarboard

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113 UMMA Objects
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Two tall, rectangular intersecting planes, one black and one white, create the appearance of a tall, minimal structure. Vertical lines of black and white add to the structure, which at its base projects slightly into a rough square shape that seems to delineate a kind of ground or base. The space around the structure is ochre.
László Moholy-Nagy (American (North American))
Construction (Konstruktion)
1923
Gift of Jean Paul Slusser
1957/1.30

Garo Zareh Antreasian
Untitled
1962
Museum Purchase
1964/1.116
This color lithograph depicts an abstract human figure outlined with expressive black lines. The figure is white with areas of yellow, pink and red throughout the face and torso. The background of the work is blue with a burst of green in the center behing the figure.
Karel Appel (Dutch (culture or style))
Personnage
1940 – 1964
Museum Purchase
1964/1.122
In the center of the print, a red square is revealed by the white of the wall peeling and curling downwards. The print is signed and dated (l.l.) "James Boynton 1970" and numbered (l.r.) "V/XV" in pencil.
James Boynton
Composition
1970
Gift of Mr. and Mrs. Charles D. Clark
1971/1.195

Glen Alps
Untitled
1914 – 1964
Museum Purchase
1964/1.115
Tan cloth background with an arch to a pavilion.
Sugawara Hakuryu
Architectural Detail
1867 – 1899
Gift of the Estate of Betty I. Monroe, PhD
2014/2.250
In this vertical print there are two side-by-side abstract line-drawn figures on white, against a dark blue background. The figures appear to be engaged in conversation.
Robert Adams (British (modern))
Two Figures, Blue Background
1950
Gift of the Marvin Felheim Collection
1983/1.234
Paper size: h 33 3/5cm x tw 42 1/2cm &amp; bw 42 3/10cm. Image size: h 22 7/10cm x w 31 2/5cm.<br /> This lithograph is printed is tones of brown ink on cream colored paper. There is a large dappled horse standing in a stall with its left rear hoof raised. On the left, a man, standing with feet braced and muscular arms extended, uses tools to attach a shoe to the horse's hoof. Steam billows from the hot metal shoe. On the right, a man stands leaning against the stall and a small child reaches up toward the horse's head. The horse bends its head down toward the child. There is an English inscription below this scene that identifies the artist, title and publisher.
Théodore Géricault
The Flemish Farrier
1821
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.374
Paper size: h 36 1/2cm x tw 46 1/2cm &amp; bw 47cm. Image size: lh 21 3/5cm &amp; rh 21 1/2cm x tw 32cm &amp; bw 32 1/5cm.
Alfred Sisley (French (culture or style))
Bords de Riviere ou les Oies
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.395
Colors: black, yellow-orange, peach, coarl, blue. Paper size: h 61 7/10cm x tw 45cm &amp; bw 45 3/10cm. Image approximately sized: h 41cm x w 34 1/2cm. [Eight colors: black, clear rose, flesh-pink, red, clear-ocre, dark ocre, blue plus dark blue.]
Pierre-Auguste Renoir (French (culture or style))
Baigneuse de Bout en Pied
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.417
Paper folded under on bottom approximatly 7cm. Partial label remnants are at lower center of verso. Image size: h 28 3/5cm x tw 21 4/5cm &amp; bw 20 7/10cm.
Odilon Redon
Sainte et Chardon
1891
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.452
Paper size: lh 47 3/5cm &amp; rh 47 2/5cm x tw 63 3/10cm &amp; bw 62 9/10cm.
Pierre-Auguste Renoir (French (culture or style))
Laveuses 1re Pensee
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.454
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