124 UMMA Objects
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A clouded glass orb in a brass-colored metallic cap comprised of looped petal-like shapes connected to a thin metal stem.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.9
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A clouded glass orb in a brass-colored metallic cap comprised of looped petal-like shapes connected to a thin metal stem.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.12
A clouded glass orb in a brass-colored metallic cap comprised of looped petal-like shapes connected to a thin metal stem, which in turn is attached to a thin brass ring about the same size as the glass orb.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.17
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This is a clouded glass half-orb with blue as the predominent color, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.18
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This is a clouded glass half-orb with predominent colors of white and blue, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.21
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This is a clouded glass half-orb with predominent colors of white and blue, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.23
Chandelier consists of a bronze post with eight arms (inset with colored glass) from which hangs two rings of yellow translucent glass half-dome glass surrounding a single, large yellow glass half-dome globe in the center.
Louis Comfort Tiffany
Chandelier, from the library of the Henry O. Havemeyer house, New York
1890 – 1891
University purchase 1930, transferred to the Museum of Art, 1986.146.4
1986.146.4
Three figures, two men and a woman, are seen seated around a round table with a lamp; all are engaged in reading in the pool of light provided by the lamp. The rest of the interior is fairly dark, particularly in the portion of the room behind the lamp. The man at the back of the table is shown roughly face-on; the man to the left is leaning back with his legs stretched out in front of him; the woman is closest to the viewer, shown in profile, holding her book fairly close to her face.
James Abbott McNeill Whistler (American (North American))
The Music Room
1858
Bequest of Margaret Watson Parker
1954/1.334
This mixed media assemblage has a series of see-through panels hanging from a wooden frame with a lightbox at the back. On the hanging panels, there are photographs printed, with a variety of images of buildings, sculpture, and advertising.
Robert Rauschenberg;Gemini G.E.L. (American (North American);American (North American))
Sling-Shots Lit #6
1984
2015/2.41
This photograph is a studio portrait of a woman with styled hair, wearing a light-colored salon cape around her shoulders. 
Philippe Halsman (American (North American))
Color Rinse
1931 – 1940
Gift of Gilbert M. Frimet
2004/1.142
This installation is composed of a group of gelatin silver prints that are hung on the wall with sixty-four light bulbs strung throughout, a web of hanging electric cables connecting them.  In the center hang three larger photos of young people's faces. Above each and below the center image are smaller versions of similar portrait photographs. Four of these smaller photos are also arranged in the line of the large photographs, one on each end, and two separating the larger pictures.  
Christian Boltanski (French (culture or style))
Monument to the Lycée Chases
1989
Museum purchase made possible by the W. Hawkins Ferry Fund and anonymous individual benefactors
2006/1.154
A bust-length portrait of a nude woman with her blonde hair pinned back on one side. She faces her body toward the left side of the frame, turning her head toward the camera.
Andy Warhol (American (North American))
Unidentified Woman
1980
Gift of The Andy Warhol Foundation for the Visual Arts, Inc.
2008/2.63
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