76 UMMA Objects
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Henri de Toulouse-Lautrec
Au Théâtre-Libre: Antoine dans 'l'Inquiétude'
1873
Museum Purchase
1949/2.31

Utagawa Toyoharu (Japanese (culture or style))
Scenes from the Seventh Month: Male banquet indoors, lovers under autumn leaves
1770 – 1785
Museum Purchase
1960/1.161
The peaked shade has eight panels with overlaid linear copper border decoration above a cove molded lower rim. The lamp retains four original sockets. The upper column consists of an octagonal capped vase-form with a dominant ogee profile over a round medial column which is slightly beveled in form and decorated with spaced, spirally arranged brass rods applied to its surface. The octagonal molded base repeats the ogee profile of the upper vase form.
Stickley Brothers Furniture Company
Oversized Floor Lamp
1904 – 1918
Gift of Jonathan Van Loo
2013/2.241A

Indian (Indian (South Asian))
Dipa-Lakshmi
1600 – 1799
Gift of Dr. and Mrs. Leo S. Figiel
1976/2.36

Indian (Indian (South Asian))
Elephant and Mahout Lamp
17th century
Gift of Dr. and Mrs. Leo S. Figiel
1976/2.59
The peaked shade has eight panels with overlaid linear copper border decoration above a cove molded lower rim. The lamp retains four original sockets. The upper column consists of an octagonal capped vase-form with a dominant ogee profile over a round medial column which is slightly beveled in form and decorated with spaced, spirally arranged brass rods applied to its surface. The octagonal molded base repeats the ogee profile of the upper vase form.
Stickley Brothers Furniture Company
Oversized Lamp Shade
1904 – 1918
Gift of Jonathan Van Loo
2013/2.241B
This is a tondo painting with a circular frame that is painted in tones of violet. It is a still-life scene that shows a lamp, resting on a table, set against a green wall. On the wall behind the lamp is a painting, but only the lower right-hand corner is visible due to the sharp curve of the circular format of the painting. On the table, beside the lamp, is a piece of paper and an ink well in the shape of a human figure. The base of the lamp has a curvilinear profile and the pleated shade is painted in bright colors of orange, pink, green and yellow. Both the scene and the frame are painted with short, dot-like brushstrokes.
Albert Dubois-Pillet (French (culture or style))
Under the Lamp (Sous la Lampe)
1883 – 1893
Museum purchase made possible by a gift from Helmut Stern
1988/1.140

Albert Kahn (American (North American))
Vitre
10/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.570

Giuseppe Bison
Urn Decorated with Mourning Seated Figures, a Lamp as the Finial
1805 – 1831
Museum Purchase
1959/2.56

Edouard Vuillard
Interior with Pink Wallpaper I (Intérieur aux tentures roses I)
1899
Museum Purchase
1960/2.90

Albert Kahn (American (North American))
Hildesheim
07/30/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.506
It is a earthenware with a man riding a small horse with short legs over a thick rectangle plate. There is a lamp-oil container with hole over the hips of the horse, and a spout sticks out in the front breast of the horse, which enables to pour out water through the inside of the stomach of horse. The figure on the horse wears a triangular hat and armor. The left arm is disappeared.<br />
Korean (Korean (culture or style))
Oil Lamp in the Shape of an Equestrian Warrior
500 – 549
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.187
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