22 UMMA Objects
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A truck hauling sugarcane stops in front of a factory with a row of palm trees in front of it.
Dmitri Baltermants (Russian (culture or style))
Sugar Cane Factory, Cuba
1970s
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.86
Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman (American (North American))
My Father Reminisces
1937
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.2
A country scene with swirls of color all around. There are two distant reddish-colored buildings ibehind a fence that runs along the left side of the dirt path, which recedes to a vanishing point at the center of the work. Trees line the right-hand side of the dirth path. Two people in the lower right corner appear to be working; one stands straight, while the other bends over.
Alfred Sisley (French (culture or style))
Le Givre a Veneux
1880
2014/1.618
This photograph shows a young boy in overalls and standing before a wooden house missing his right arm.
Lewis W. Hine (American (North American))
Luther - 16 yrs. old. Right arm was cut off by a running saw in a box factory. Now attending school.
1908 – 1910
Museum Purchase
1971/2.143
Manual laborer with protective headgear working below ground.
Minor White (American (North American))
Sandblaster
1949
Museum Purchase
1976/1.201
Street pavers setting a road in Paris.
Eugène Atget (French (culture or style))
Street Paver
1899 – 1974
Museum Purchase
1974/1.116
Two reapers at work in a field.
Eugène Atget (French (culture or style))
Faucheurs, Somme
1890 – 1974
Museum Purchase
1974/1.122
A menage of female figures lie entangled together, painted in many different colors. Certain body parts appear identifiable and are emphasized with bleeding lines. In the background appears straight-lined brush strokes emoting a fence or barricade much like one would see within a concentration camp. Beneath the watery brushstrokes are thin, precise lines.
Eduard Bargheer
Holocaust 6
1947
Museum Purchase
1948/2.1
Photograph of a young woman climbing up a hill carrying two large buckets supported by a plank of wood.
André Kertész (American (North American))
Heavy Burden
1916
Gift of Mr. & Mrs. Edward M. Strauss
1985/1.125.7
This print shows a shipyard, with three laborers working on the hull of a large boat under a dark sky.
Carlos Lopez
Joseph the Carpenter
1930 – 1952
Gift of The Ann Arbor Art Association, in memory of Ruby S. Churchhill
1972/2.20

Jean François Raffaëlli
The Rag-Picker (Le Chiffonier)
1911
Gift of Mrs. John Alexander
1988/1.153
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