43 UMMA Objects
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A dark interior view is shown with a deep recessed space. At the end of the space is a window; the recessed space is full of reflected light and a woman is seen framed against the bright view out the window. Closer to the viewer, the foreground is filled with domestic objects: furniture on the left with vases stored on top; a wall rack with plates stored on the right and other objects with basins or pots below the plates.
James Abbott McNeill Whistler (American (North American))
The Kitchen, One of the 'Twelve Etchings from Nature,' or the 'French Set'
1858
Bequest of Margaret Watson Parker
1954/1.330

Utagawa Sadahide
A True View of Shops in Yokohama (part of a triptych)
1870
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.149

Utagawa Sadahide
A True View of Shops in Yokohama (part of a triptych)
1833 – 1866
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.150
A young woman at the left stands at the threshold of a stone doorway; in the interior beyond her, a woman in a white cap is preparing a jar at a desk or counter. Above the desk is a row of jars on a shelf.
James Abbott McNeill Whistler (American (North American))
La Marchande de Moutarde, one of the "Twelve Etchings from Nature," or the "French Set"
1858
Bequest of Margaret Watson Parker
1954/1.329

Utagawa Sadahide
A True View of Shops in Yokohama (part of a triptych)
1833 – 1866
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.151
An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.
James Abbott McNeill Whistler (American (North American))
La Vieille aux Loques (One of the "Twelve Etchings from Nature," or the "French Set")
1856 – 1858
Museum Purchase
1950/1.202
This image is divided in to 6 relatively equal portions, with the two most upper portions being slightly larger. Each section contains a human figure, except for the lower right section which contains 3 fish. The three figures on the left are featured profile facing towards the right. The two figures in the two lower sections on the right, mirror the left side and face profile to the left. The figure in the upper right corner faces out. This figure is yellow, without clothing, on a green background. This figure is also seated on a lotus blossom form above all the other figures. The figure to his left is also without clothing and is the only other figure to be seating not directly on the floor.<br />
The dominate colors in this image rotate between orange, green, red and blue with yellow highlights.
Artist Unknown, India, Rajasthan, Sirohi School
Digambara Jain manuscript page: Jina and worshippers
18th century
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel.
1975/2.180
The scene takes place in a dark interior room, seen from the street. The rough stone of the doorway frames a seated woman and a young boy standing nearby. In addition to light illuminating the interior from the street, there is a recessed window niche along the left wall of the room.
James Abbott McNeill Whistler (American (North American))
Rag Pickers, Quartier Mouffetart, Paris
1858
Museum Purchase
1991/2.1

Giovanni Battista Piranesi (Italian (culture or style))
Views of Rome. 73. So-called Villa of Maecenas at Tivoli. Interior With Two Fig
1764
The Paul Leroy Grigaut Memorial Collection
1969/2.66
This photograph depicts a person’s torso wrapped in an blue and orange towel. The person is standing inside a dark, wooden cabin. This image is the central panel of a triptych. 
David Hilliard
Rosemary's Dock
2003
Gift from the Collection of David S. Rosen MD, MPH
2013/2.146.2
Tear on lower left where thick tape of verso cooresponds. Paper size: lh 33 4/5cm &amp; rh 32 1/2cm x tw 24 4/5cm &amp; bw 25cm. Image size: h 25 1/2cm w 16 1/2cm. Colors: Ocre and Blue.
Edouard Vuillard
La Couturiere
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.443
A dark interior view is shown with a deep recessed space. At the end of the space is a window; the recessed space is full of reflected light and a woman is seen framed against the bright view out the window. Closer to the viewer, the foreground is filled with domestic objects: furniture on the left with vases stored on top; a wall rack with plates stored on the right and other objects with basins or pots below the plates.
James Abbott McNeill Whistler (American (North American))
The Kitchen, one of the "Twelve Etchings from Nature," or the "French Set"
1856 – 1858
1954/1.331
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