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21 UMMA Objects
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Primarily black and grey ink painting. Signature stamp in the lower right side of the image. Background contains mountains and a river runs from them down to the base of the image. A small hut or structure is shown next to the cliff and some trees on the left side. A figure of a person stands near the river at the base of the image.
Ōhara Tonshū (Donshū)
Mountain Hut among Pines
1831 – 1844
Museum purchase made possible by a gift from Helmut Stern
1985/2.27
This photograph is a view of a two-storey town house featuring a cast-iron façade and recessed balconies.
Walker Evans (American (North American))
529 Esplanade Avenue, New Orleans, Louisiana
1935
Gift of Mr. and Mrs. Harry H. Lunn, Jr., in Honor of the Centennial of The Michigan Daily
1990/2.56
In this photograph, pedestrians and horse-drawn carriages populate the street in front of a two-storied restaurant façade which adjoins a crenellated stone wall in the middle ground.  
Felix Bonfils (French (culture or style))
Jérusalem, Porte de Jaffa, extérieur
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.1
In this image, a woman holds a pin up to her hair. She wears a blue patterned robe and a black sash with a purple, floral border. The wall behind her is missing in places. Above her is a shelf.<br />  <br /> This is the center panel of a triptych (with 2003/1.409.1 and 2003/1.409.3).<br /><br /> Inscriptions: Okuni, Nakaura Fukusuke; Toyohara Chikanobu hitsu (Artist's signature); Takekawa Sekichi (Publisher's seal)<br /><br />  
Toyohara Chikanobu (Japanese (culture or style))
Lovebirds and Lightening in the Summer Rain: Nakamura Fukusuke IV as Okuni
1886
Gift of Dr. James Hayes
2003/1.409.2

Felix Bonfils (French (culture or style))
Porte de Damas – The Damascus gate
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.2
This is an image of a woman. She wears a black hood over a purple robe. Her hands are hidden in her sleeves. Next to her, the side of a building is visible. A white box above her head holds lines of calligraphy. The background is otherwise black.<br /><br /> Inscriptions; Seichū gishi den no uchi; Toyokuni hitsu, 79 sai (Artist's signature); Dai (Publisher's seal); Ne 10, aratame (Censors' seal)
Utagawa Kunisada (Japanese (culture or style))
Stories of the True Loyalty of the Faithful Samurai: Onoe Kikugorō IV as Amakawaya's Wife Osono from The Treasury of Loyal Retainers
1864
Gift of Dr. James Hayes
2003/1.478
A photograph of an iron gate with brick columns. A large tree hangs over the gate, its branches mimicking the formal qualities of the gate below.
Doris Ulmann (American (North American))
View of Gate, Iron and Brick
1913 – 1925
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.229
A group of children stand tightly packed together behind a wooden fence. None of the children appear to be facing the camera except for one girl in a gingham dress at the center of the photo. This girl, slightly smiling, displays the cover of a book she holds in her hand.
Ben Shahn (American (North American))
School Children
1935 – 1990
Gift from the Collection of David S. Rosen MD, MPH Library of Congress, Prints and Photographs Division Reproduction # (318116 6-USF33-6147-M3B)
2013/2.173
Three male figures and three camels stand in or near the threshold of a stone portal. The three men face the viewer while the camels are in three-quarter turns facing the left-hand edge of the photograph.
Felix Bonfils (French (culture or style))
Zion Gate, Jerusalem
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.4
The painting has a large tree in the forground, behind which is positioned a small hut which has two figures seated inside. Behind the hut are mountains and a small path disappearing in the distance on the bottom left of the image. 
Tanomura Chokunyū (Japanese (culture or style))
Scholars in a Thatched Hut Under an Old Tree
1850 – 1950
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1986/1.162
This horizontal print is filled with an old willow whose branches extend to left and right. The large branch on the right meets a coniferous tree, and together they form a canopy over a garden gate and wall. 
Warren Lombard (American (North American))
Old Willow—Monhegan
1923 – 1924
Gift of Prof. and Mrs. Alfred H. White
1940.23
Photograph of a large arched gateway in Hidalgo, Mexico. This image has pronounced tonal contrast due the shadows cast by the sun.
Paul Strand (American (North American))
Gateway, Hidalgo
1933
Gift of Mr. and Mrs. Philip C. Davis through the Friends of the Museum of Art
1971/2.126.20
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