882 UMMA Objects
Sort by

Photograph of a group of women protestors, smiling and holding posters, as they walk down a street fenced off to cars.
Garry Winogrand (American (North American))
Untitled
1963 – 1973
Gift of Mr. and Mrs. Douglas M. Kenyon
1983/2.147
This image is of a lone female figure centrally located on the scroll. The dominate color of the image is red. The figure's outer kimono is decorated with red and gold maple leaves.
Yamaguchi Soken (Sojun)
Japanese Beauty in a Red Maple Leaf Robe
1800 – 1832
Museum purchase made possible by a gift from Helmut Stern
1985/2.7
The work is a color photograph of three models framed by mauve curtains. The models form a pyramidal shape, with one model crouching in the foreground, two standing behind her leaning inward. At the top of the composition a small pink rose is pinned to the wall.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.11
This is a vertically arranged abstract print that incorporates sets of facial features (and perhap legs) that stare out at the viewer. The colors in the print are predominately yellow on the right and black on the left; green, red, and white are also used.
Adja Yunkers (American (North American))
Succubae
1950
Museum Purchase
1950/2.22B
A wooden crest mask covered with antelope skin in the form of a human figure with a columnar body and four outstretched limbs. The center of the figure's abdomen is dyed a dark brown, while the rest of the skin is light in color. On each side of the face are three dark circles in a vertical line. 
Mask
1900 – 1971
Gift of Mr. George Baumgartner
1971/1.187

Dogon (Dogon (culture or style))
Female Ancestor Figure
1900 – 1971
Museum Purchase assisted by the Friends of the Museum of Art
1971/2.24
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Odalisque
1934 – 1967
Museum Purchase
1971/2.150.3
This color woodcut is printed on black paper. At the center, there is a white horse with a monkey sitting on its back. Next to the monkey, there is a bright yellow object. A white figure swings from an amorphous shape, outlined in black, coming from the upper right of the image. The background is blue with a green circle to the upper left. The print is titled (l.l.) "Monkey and Lamp", numbered (l.c.) "47/50", signed and dated (l.r.) "A Ryan '45", and dedicated (l.c.) "For Felix III Christmas 1945" in white ink.
Anne Ryan (American (North American))
Monkey and Lamp
1945
Gift of Gerome Kamrowski
1979/2.128

Hans Erni (Swiss)
Femme Accroupie
1956
Gift of Mr. and Mrs. Homer Kripke
1964/2.130
Three nude figures stand, and one figure swims in a body of water. &nbsp;A large wall is on the right side of the print, and a small fire burns on the left.
Hyman Warsager (American (North American))
Sea Wall
1939
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.143

Fernand Léger (French (culture or style))
Marie l'Acrobate
1948
Bequest of Florence L. Stol
1968/1.86
Loading…