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Between and Mortarboard

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23 UMMA Objects
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Within an elaborate decorative framework consisting of griffins, birds, dogs, and fantastic half man-half beast creatures is a central panel with the image of a nude woman standing on a column holding a victor's wreath in either hand. Approaching for either side is a man in a quadriga holding a banner; each also holds a line that extends up to the wreath in the woman's hand.
Hans Vries
Ornament Print from a series: 'Grottesco in diversche manieren'
1555 – 1560
Museum Purchase
1960/1.118
A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
Pablo Picasso (Spanish (culture or style))
The Bullfight (Courses de taureaux)
1934
Gift of The Carey Walker Foundation
1994/1.70
This engraving reproduces a relief sculpture from the second century CE of Roman soldiers under Emperor Trajan conquering the Dacians in what is today Romania. The sculpture was later removed from its original monument built to honor Trajan and incorporated into the Arch of Constantine, erected in Rome by the emperor Constantine between 312 and 315.<br /> The relief depicts mounted Roman soldiers, dressed in their characteristic armor and helmets, surging to the left and right from the center of the scene. A group of soldiers sounding horns stands in their midst. The Romans&#39; vanquished Dacian foes lie trampled beneath the horses&#39; hooves.
Nicolas Beatrizet
Combat of Romans and Dacians (after a relief on the Arch of Constantine, Rome)
1553
Museum Purchase
1960/2.41

Marino Marini (Italian (culture or style))
Horse and Rider
1901 – 1957
Museum Purchase
1957/2.18

Italian
Equestrian Statuette of Marcus Aurelius
Bequest of Henry C. Lewis
1895.10
This Mina'i ware bowl fragment displays well preserved base decorations. Five figures, two birds, a tree and a rim of Kufic insciptions float on the interior, while the exterior exhibits alternating red and cobalt symbols. The bowl is made with a pink-tan paste and a glossy all-over glaze. Ivory, red, cobalt, turquoise, black, pink and brown paints are used to create vibrant imagery.
Iranian (Iranian)
Mina'i ware bowl fragment with figures
1167 – 1232
Museum purchase
1957/1.67
Photograph depicting an equestrian statue of Nicholas I of Russia in St. Isaac Square, Saint Petersburg.
E. Huard (French (culture or style))
Monument to Nicholas I, Saint Petersburg
1865
Gift of Howard and Margaret Bond
1990/2.19.1
At the center of the lithograph, there is a nude man trying to get on a horse. The man's bent leg appears to be placed firmly against the horse's side and his body is pushed against its back. In the background, there is a strong set of horizion lines and the forground scene is enveloped in think and sketchy lines.
Max Liebermann (German (culture or style))
Naked Rider on the Beach
1908
Gift of Jean Paul Slusser
1962/2.22

Indian (Indian (South Asian))
Equestrian figure carrying a lance in his left hand
17th century
Gift of Dr. and Mrs. Leo S. Figiel
1976/2.65

Indian (Indian (South Asian))
Equestrian Figure
18th century
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel
1979/2.31

Japanese (Japanese (culture or style))
Ivory snuff bottle in the shape of an equestrian figure
1912 – 1949
Gift of Mr. Robert W. Coggan
1980/2.79

Marino Marini (Italian (culture or style))
Miracola
1965
Gift of Dr. & Mrs. J. Robert Willson
1983/1.139
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