31 UMMA Objects
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This sculpture consists of a large smooth copper colored dome with abstract forms of the same copper colored steel extending from the edges and forward. The dome is cracked and welded together. Some of the abstract forms seem to be acting as repairs to hold it together. 
Tom Gibbs
Untitled
1950 – 1999
Gift of Sidney C. Kleinman
2014/1.600

Italian
Campo SS Giovanni & Paolo (San Zanipolo) with Verrocchio's Colleoni Monument, Ve
1867 – 1899
Gift of Mr. and Mrs. W. Howard Bond
1987/1.342

Fratelli Alinari
Venice - Grand Canal
1854 – 1920
Gift of W. Howard and Margaret Bond
1991/1.102
In this photograph, pedestrians and horse-drawn carriages populate the street in front of a two-storied restaurant façade which adjoins a crenellated stone wall in the middle ground.  
Felix Bonfils (French (culture or style))
Jérusalem, Porte de Jaffa, extérieur
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.1
This drawing presents a frontal view of a small two-story church.  The first level has a portico entrance flanked by statues in niches.  Above the portico continues into the second level and is surmounted by a pediment.  Above the second level is a shallow dome on a low drum.
Giuseppe Barberi
Elevation of a Small Domed Church
1746 – 1809
Museum Purchase
1958/1.65

Giuseppe Barberi
Elevation of a Small Domed Church
1746 – 1809
Museum Purchase
1958/1.66
Exterior view of a stone structure with dome. Two men stand near one of the corners of this building in the lower middle ground. Trees, bushes, and architectural fragments populate the right foreground.
Felix Bonfils (French (culture or style))
Eglise Sainte-Anne – St Anne's church
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.28.9
This photograph shows an aerial view of a mosque positioned on a hilltop overlooking a cityscape on a coast.
Marilyn Bridges (American (North American))
Blue Mosque, Turkey
2004
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.57
This is a preparatory drawing of a group of putti that form part of the painted decoration of the dome of Florence cathedral. The most striking figures are the putti in the upper corners of the drawing who support an architectural cornice and a pair of putto that appear between them. One of these putti holds a shirt and his companion holds three dice. Myriad other putti are rendered more lightly to give the impression that they are positioned in the background.
Federico Zuccaro
Study for the Last Judgement in the Dome of Santa Maria del Fiore, Florence
1571 – 1581
Museum Purchase
1973/2.81
View down onto a large, open, and paved space circumscribed by intersecting rows of domed structures and trees. A large, octagonal building with a dome and surrounding courtyard dominates the upper-left quadrant of the photograph.
Felix Bonfils (French (culture or style))
Vue générale de l'emplacement du temple de Salomon
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.33.1
This photograph depicts a prominently placed domed structure in the center of a courtyard with a man standing at the threshhold of the door. 
Felix Bonfils (French (culture or style))
Coupole de l'Ascension – Cupola of the Ascension
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.30.6
View of an octagonal building with central cupola surrounded by smaller domed structures.
Felix Bonfils (French (culture or style))
Jerusalem, Mosquée d'Omar
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.33.2
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