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Results for terms:columns (architectural elements)

24 UMMA Objects (page 1/2)
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This silver candlestick, one of a pair, is in the shape of a fluted column topped by a composite capital composed of a double row of acanthus leaves and four volutes at the corners. The column rests upon a stepped base made of four squares of diminishing size, the first and fourth of which are marked with a pattern of strigillations.
John Carter
Candlestick (one of a pair)
1770 – 1771
Gift of Raymond C. Smith
1968/1.48
This silver candlestick, one of a pair, is in the shape of a fluted column topped by a composite capital composed of a double row of acanthus leaves and four volutes at the corners. The column rests upon a stepped base made of four squares of diminishing size, the first and fourth of which are marked with a pattern of strigillations.
John Carter
Candlestick (one of a pair)
1770 – 1771
Gift of Raymond C. Smith
1968/1.49

Albert Kahn (American (North American))
Girgenti
1891 – 1924
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.658
A large hypostyle hall in a state of ruin stands amid rocky and sandy terrain. 
Pascal Sebah (Turkish (culture or style))
Karnak. G[ran]d Temple. Salle Hypostyle. Extérieur Est
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.207
This photograph shows a narrow corridor flanked on either side by a row of rounded, stone columns on the left and rectangular piers on the right. 
Pascal Sebah (Turkish (culture or style))
Thèbes. Medinet-Abou. Galerie et 2e Cour
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.216
A grouping of columns and figural sculptures stands amid other ruins and stone debris in a mostly flat, rocky landscape. 
Pascal Sebah (Turkish (culture or style))
Ramesseion à Thèbes. Colosse de Rhamsès
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.205
This photograph shows a narrow corridor flanked on either side by two rows of massive, stone columns. 
Pascal Sebah (Turkish (culture or style))
Abidôs. Temple de Séti I
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.200
Glimpsed through an entableture and single doric column, a busy boulevard is seen filled with horse-drawn carriages and cabs, as well as with pedestrians, mostly in the foreground. In the distance is a building with large windows.
James Abbott McNeill Whistler (American (North American))
Regent's Quadrant
1880 – 1881
Bequest of Margaret Watson Parker
1954/1.394
A black and white etching depicting several fragments of friezes and columns, followed by textual descriptions in Italian.
Giovanni Battista Piranesi (Italian (culture or style))
Frieze, Soffits, Columns, plate 9 from Trofei di Ottaviano Augusto innalzati per la vittoria ad Actium e conquista dell'Egitto con vari altri ornamenti antichi
1753
Gift of Professor Walter M. and Nesta R. Spink
1985/2.133
Photograph of Roman ruins. Rows of columns surround some tiles. A man observes the ruins. <br /><br />
Eva Caston 2017
Italian
Foro civile. Pompei
1855 – 1865
Transfer from the Kelsey Museum of Archaeology
1980/1.176
Five men sit just outside the rectangular, columned entrances of three grottoes set into the side of a hill. 
Pascal Sebah (Turkish (culture or style))
Béni-Hassan. Grottes du Nord
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.204
This photograph depicts the chantry in the nave of a cathedral. A large column consumes the majority of the foreground of the image, while a patch of sunlight illuminates ornate carvings in the background.
Francis Bedford (British (modern))
Chantry in the Nave, Wells Cathedral
early 1850s - early 1890s
Gift of Margaret and Howard Bond
1979/2.103
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