27 UMMA Objects
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Laurent Hubert
Design for a Clock Case
1760 – 1770
Museum Purchase
1963/2.29

Max Beckmann (German (culture or style))
Umarmung (The Embrace)
1922
Anonymous Gift
1970/2.182

Fratelli Alinari
Palazzo Vecchio
1854 – 1920
Gift of Howard and Margaret Bond
1993/2.57
Oblique view of a warehouse building with open shutters.
Berenice Abbott (American (North American))
Warehouse, Water and Dock Streets, Brooklyn
1936
Museum Purchase made possible by the Friends of the Museum of Art
1971/2.137

Albert Kahn (American (North American))
Caen
10/19/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.589

James Anderson
The Capital, Rome
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.187
This photograph depicts a view of a row of old buildings, the central structure housing a large clock face. This building's façade is adorned with sculptures and atop its roof is a large bell flanked by two bronze statues.
Carlo Ponti (Italian (culture or style))
Torre dell'Orologio
1860 – 1870
Gift of Mr. and Mrs. Wm. B. Becker
2012/2.170
At the center of the image, this print shows a yellow clock with white face on a yellow wall. The clock is outlined in thick black likes and the face has black-colored hands and dashes. The print is signed in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Crying to the walls: My God! My God! will she relent?
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.7

Pompeo Molins;Gioacchino Altobelli (Italian (culture or style))
Piazza di Spagna
1855 – 1865
Gift of Mr. and Mrs. W. Howard Bond
1982/1.235
This work is a color photograph of three women standing outside at night, each facing toward the right side of the frame. The women descend into the background from right to left. The subjects conform to a type, with similar body structure, hair style and hair color. The red velvet of their dresses, one with a navy overcoat, contrasts against the deep blue hues of the background.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.1
Two soldiers stand on, and near a ladder and adjust an outdoor clock which overhangs a town street.
Dmitri Baltermants (Russian (culture or style))
Resetting German Clocks Forward to Moscow Time
1945
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2014/2.266
The dial of this elaborately decorated clock stands upon a two-tiered base. The lower tier consists of a hollow base made of ebony and adorned with a frieze of gilded bronze scrollwork and palmette motifs. The upper tier, made entirely of gilded bronze, features six fluted pilasters with a decorative panel centered on the front below the dial. This panel is composed of a pair of doves touching beaks before a crossed quiver of arrows and a flaming torch framed by leaves. A woman in long flowing robes stands to the right of the dial and empties a small cup onto a dove held by a winged putto who lies on a rocky projection. Behind the dove burns a fire on a small altar inscribed "Altar of Venus" [Autel à Venus].
Joseph Buzot
Mantel clock with a priestess and Cupid offering a sacriffice to Venus
1775 – 1785
Museum purchase made possible by the W. Hawkins Ferry Fund
2001/2.82
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