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Results for terms:ceramics (object genre)

71 UMMA Objects (page 1/6)
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Malian
Ceramic Jewelry Molds (One of eighteen)
1900 – 1932
Gift of Prof. and Mrs. Horace M. Miner
1983/2.225

Chinese (Chinese (culture or style))
Blue-and-white tea cup with abstract floral design (1 of 5)
1400 – 1599
Bequest of Margaret Watson Parker
1954/1.520
It is a medium size porcelain vase with pomegranate design in blue underglaze. The body is round with gentle shoulders; the mouth is wide and the neck is short and slightly inward. It has no foot. The pomegranate fruit and leaves are quickly executed with broad brush around the shoulder and the middle of the body. There is a band of a single line around the mouth and another around near the bottom. There is the artist’s signature “yû” on the eye. There is no foot but unglazed ring around the bottom; the eye is glazed.
Kondô Yûzô
Blue-and-white jar with pomegranate design
1955 – 1965
Museum Purchase
1963/2.78
Bottle with full, rounded base that tapers into a thin neck that terminates in a lipped rim.  From the neck up, the vase has a brown glaze.  The body has a brownish gray glaze with a white drizzled squiggle decoration along it.
Japanese (Japanese (culture or style))
Onda ware bottle
1949
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1964/1.82
This is a tall, cylindrical vase, slightly bulged at the middle. There are multiple incised lines around the neck and the bottom. The middle part has several vertical incision marks. The bottom is flat. It has a brown body, unglazed, with grayish ash glaze marks.<br />
Kaneshige Tôyô
Bizen ware vase
1955 – 1965
Gift of the Marvin Felheim Collection
1967/2.7

Malian
Ceramic Jewelry Molds (One of eighteen)
1900 – 1932
Gift of Prof. and Mrs. Horace M. Miner
1983/2.227
It is a long, rectangular unglazed ceramic piece, intended to be shown in horizontal position. Two thick slabs are connected with bridges inside. The front part has almost flat surface; there is a deep cut on the left side, in which mass of worm-like inner surface can be seen. The same surface is revealed in the middle, as well as on the right edge. The top of the slab has a several shallow holes and one deep cut, inside of which has worm-like surface, as explained above. There is also a dent on the top and on the right, from which worm-like mass seems to be coming out. Reddish shadows cast on left side, in the middle, and the right. There is a patch of clay on left side near the left cut. The bottom is flat.
Yagi Kazuo (Japanese (culture or style))
Ceramic Sculpture
1953 – 1963
Museum Purchase
1963/2.73

Malian
Ceramic Jewelry Molds (One of eighteen)
1900 – 1932
Gift of Prof. and Mrs. Horace M. Miner
1983/2.228

Japanese (Japanese (culture or style))
Large serving plate with design of lion romping among peonies
1867 – 1899
Gift of Mr. and Mrs. Richard M. Cook
1969/1.83

Chinese (Chinese (culture or style))
Blue and white porcelain bowl with medallion designs
1867 – 1932
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1986/1.206
This rustic looking bowl has a circular base from which the rounded shape of the bowl extends. The clear glaze reveals the brown and black tones of the materials.
Japanese (Japanese (culture or style))
Tea Bowl, ido chawan type
17th century
Bequest of Margaret Watson Parker
1954/1.539

Malian
Ceramic Jewelry Molds (One of eighteen)
1900 – 1932
Gift of Prof. and Mrs. Horace M. Miner
1983/2.214
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