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49 UMMA Objects
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Autumn flowers are painted in colored lacquer on plates of gold leaf. The quiet, natural plant motifs stand out against the glittering square of gold.
Shibata Zeshin
Plate with Floral Design, one of five
1879 – 1890
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1968/2.56
Autumn flowers are painted in colored lacquer on plates of gold leaf. The quiet, natural plant motifs stand out against the glittering square of gold.
Shibata Zeshin
Plate with Floral Design, one of five
1879 – 1890
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1968/2.60
A country scene with swirls of color all around. There are two distant reddish-colored buildings ibehind a fence that runs along the left side of the dirt path, which recedes to a vanishing point at the center of the work. Trees line the right-hand side of the dirth path. Two people in the lower right corner appear to be working; one stands straight, while the other bends over.
Alfred Sisley (French (culture or style))
Le Givre a Veneux
1880
2014/1.618
This L-shaped composition uses soft yet bright colors to depict a curving road through rolling green mountains covered with the varing red tones of autumn trees. A solitary figure sits in a pavillion, and the scene is obscured by wisps of white clouds.
Chang Ku-nien
Solitary Leisure in a Quiet Pavilion
1974
Gift of Dr. Cheng-Yang and Mrs. Shirley Chang
2006/1.108

Donald James Wynn
City in Autumn
1986
Gift of Herbert Barrows
2000/2.249
A profile view of a farmhouse featuring a car and a tree without leaves.
Walker Evans (American (North American))
Westchester, New York, Farmhouse
1931
Gift of the Marvin Felheim Collection
1983/1.288

John Joseph Enneking
A Path through Autumn Woods
1841 – 1916
Gift of Gilbert M. Frimet
1983/2.232
<em>&quot;Lonely Fisherman at Autumn River</em>&nbsp;is oriented horizontally to provide the breadth of the river and emphasizes the softness of the mountains&rsquo; width as opposed to an imposing verticality...The main visual cue of the season in the piece is the seasonal poem of autumn, followed to the left by Itsuun&rsquo;s signature and seal in red in the upper right-hand corner.&nbsp; A more subtle suggestion of autumn are the birds in a migratory formation just above the surface of the lake...&nbsp;The only separation between the sky and the river in the painting is the tall tree just to the right of the center of the painting that provides a focal point, but even then, the void of the water&rsquo;s surface leaks into the edge of the mountain, and even lies within the outlines of the village...&quot;<br /> <br /> Nakamura, Chris. &ldquo;Lonely Fisherman at Autumn River.&rdquo;&nbsp;<i>Japanese Landscapes</i>, 18 Dec. 2009, japaneselandscape.wordpress.com/literati/literati-prints/lonely-fisherman-at-a
Kinoshita Itsuun
Lonely Fisherman at Autumn River
1852 – 1949
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1983/2.246
Autumn flowers are painted in colored lacquer on plates of gold leaf. The quiet, natural plant motifs stand out against the glittering square of gold.
Shibata Zeshin
Plate with Floral Design, one of five
1879 – 1890
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1968/2.57

Edoardo Perotti
Automne
1824 – 1870
Gift of Samuel P. Hayes
1973/1.785
Light gray tango chirimen (silk crepe) damask with woven lozenge pattern; over this, paste-resist dyed "splotches" in blue, green and brown. Finally, embroidered autumn flowers: ominaeshi, hagi, chrysanthemums. Lining is plain weave silk, white above and butterscotch color below.
Japanese (Japanese (culture or style))
Multicolored kimono embroidered with autumn flowers
1977
Gift of Howard and Patricia Yamaguchi
2005/1.385
This six-fold screen, a half of a pair, is meant to represent six of the twelve months of the year, with keen attention paid to the birds and flowers associated with each. Although this screen bears Kano Tan&rsquo;yu&rsquo;s signature, it was probably created by his studio or by followers working in this famous artist&rsquo;s style.
One of a pair of six-fold screens
19th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1965/1.178
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