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Between and Mortarboard


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Results for terms:audience spaces

9 UMMA Objects (page 1/1)
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A man singing into a microphone, audience to the right, graffiti on the walls.
Scott Bilby
Others' Laurels
20th century
Gift from the Collection of David S. Rosen MD, MPH
2014/2.169
A large crowd in the foreground gesture towards a group of figures seen in the doorway of a building in the distance at center. The figures in the distance, many holding lances, look at a standing semi-nude man framed in the doorway. Other figures look out of windows onto this open courtyard where the figures have congregated. The crowd in the foreground include a figure at the left holding a tall cross and another figures at the right, standing in shadow with a raised hand.
Jacques Callot (French (culture or style))
'La Grande passion.' (Ecce Homo--Christ Shown to the People) La Presentation au
1625
Museum Purchase
1953/1.45

Eugène Delacroix (French (culture or style))
Study for Cicero Accusing Verres
1844 – 1847
The Paul Leroy Grigaut Memorial Collection
1969/2.43

Eugène Delacroix (French (culture or style))
Christ Presented to the People
1844 – 1854
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.69
This print shows a corner of the interior of a theater. A small part of the stage is visible, and two performers stand on the stage. To the left, engulfing the view of the stage, the balconies wind from the lower right to the upper left and fill the top third of the print. The audience is portrayed as dark strokes of seated figures that are not detailed or well defined. The audience sits in darkness.
Oda Kazuma
In the Imperial Theater (Teigeki nite)
1920
Gift of the artist, through Mr. and Mrs. Yoshito Yamamoto
1950/2.3
Black background, man with glasses on, hands outstretched conducting an orchestra.
D. James Galbraith
Aaron Copland Rehearsal of "Appalachian Spring," Philadelphia Symphony
1956
Gift from the D. James Galbraith Family
2014/2.230
In the forefront both men and women are dipicted as watching the concert.  One man has his head resting on his hand.  At the center of the piece lies the orchestra, and more prominently the conductor.  The stage is surrounded by curtains.
Max Liebermann (German (culture or style))
The Concert
1847 – 1935
Museum Purchase
1953/1.40
This print depicts the interior of a theater. Several actors move about the set at the top of the print. Individuals in the audience are minutely detailed. Near the left of the stage, a pair of half-naked men brawl while an actor chides them from above. Near the bottom of the image, several in the audience smoke long pipes. A man holds the hand of a child on a raised platform near the bottom left of the print.<br /><br />
Inscriptions: Nishimura and unidentified others (​Publisher's seal); Torii Kiyotsune ga (Artist's signature)<br />
 
Torii Kiyotsune
Perspective Print of the Interior of the Nakamura Theater Featuring the Amakawa Scene of The Treasury of Loyal Retainers
1755 – 1765
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.200
A policeman stops a woman riding miniature car on the street, while onlookers congregate.
Joel Meyerowitz (American (North American))
Fifth Avenue, NYC
1968
Gift of Selma & Gerald Lotenberg
2000/2.158.6
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