6 UMMA Objects
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In the forefront both men and women are dipicted as watching the concert.  One man has his head resting on his hand.  At the center of the piece lies the orchestra, and more prominently the conductor.  The stage is surrounded by curtains.
Max Liebermann (German (culture or style))
The Concert
1847 – 1935
Museum Purchase
This print depicts the interior of a theater. Several actors move about the set at the top of the print. Individuals in the audience are minutely detailed. Near the left of the stage, a pair of half-naked men brawl while an actor chides them from above. Near the bottom of the image, several in the audience smoke long pipes. A man holds the hand of a child on a raised platform near the bottom left of the print.<br /><br />
Inscriptions: Nishimura and unidentified others (​Publisher's seal); Torii Kiyotsune ga (Artist's signature)<br />
Torii Kiyotsune
Perspective Print of the Interior of the Nakamura Theater Featuring the Amakawa Scene of The Treasury of Loyal Retainers
1755 – 1765
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
A man singing into a microphone, audience to the right, graffiti on the walls.
Scott Bilby
Others' Laurels
20th century
Gift from the Collection of David S. Rosen MD, MPH
A large crowd in the foreground gesture towards a group of figures seen in the doorway of a building in the distance at center. The figures in the distance, many holding lances, look at a standing semi-nude man framed in the doorway. Other figures look out of windows onto this open courtyard where the figures have congregated. The crowd in the foreground include a figure at the left holding a tall cross and another figures at the right, standing in shadow with a raised hand.
Jacques Callot (French (culture or style))
'La Grande passion.' (Ecce Homo--Christ Shown to the People) La Presentation au
Museum Purchase
This print shows a corner of the interior of a theater. A small part of the stage is visible, and two performers stand on the stage. To the left, engulfing the view of the stage, the balconies wind from the lower right to the upper left and fill the top third of the print. The audience is portrayed as dark strokes of seated figures that are not detailed or well defined. The audience sits in darkness.
Oda Kazuma
In the Imperial Theater (Teigeki nite)
Gift of the artist, through Mr. and Mrs. Yoshito Yamamoto
Black background, man with glasses on, hands outstretched conducting an orchestra.
D. James Galbraith
Aaron Copland Rehearsal of "Appalachian Spring," Philadelphia Symphony
Gift from the D. James Galbraith Family