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46 UMMA Objects
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Groups of men gamble, smoke, and drink in a dark guardroom. In the left foreground a seated man wearing a red sash lights his white clay pipe, while his companion pauses his smoking to listen to a man standing next to him. The red of the smoker's sash is repeated in the flag and fabrics strewn about in the right foreground, which form part of a still-life of weapons, musical instruments, and glinting armor heaped together against the wall. Between these brightly lit foreground vignettes the scene recedes into the darkened interior where a group of five men gather about a table to gamble.
David Teniers the Younger
Interior of a Guardroom
1635 – 1645
Museum Purchase
1965/1.185

Albrecht Altdorfer
Maxmilian and the Knights of St. George Vowing a Crusade against the Turks
1480 – 1538
Gift of Jean Paul Slusser
1960/1.167
A composition with a heraldic motif: a rooster standing on top of a helmet with visor and throat guard, below which is a sheld or other carving with a rampant lion. Surrounding on either side is vigorous foliage (acanthus leaves).
Albrecht Dürer
Coat of Arms with the Cock
1498 – 1508
Museum Purchase
1960/2.34

Jacques Callot (French (culture or style))
The Battle, No. 3 from 'Les Grandes Misères de la Guerre'
1633
Anonymous Gift for The Paul Leroy Grigaut Memorial Collection
1972/2.356

Raymond Lafage
Battle Scene
17th century
Museum Purchase
1966/2.35
A muscular figure surrounded by an aureole of light steps down from a plain rectangular tomb. Six soldiers, depicted in a variety of complex postures, recoil from the figure in shock.
Marten van Heemskerck
The Resurrection
1548 – 1574
Museum Purchase made possible by the Friends of the Museum of Art
1983/2.249
The armor is comprised of a round helmet with a neck protector and a crescent-moon shaped ornament; a mask with fake mustache; an upper-body protector with sleeves from waist down and paulownia crest in the middle; a thigh cover; two metal leg protectors; two arm and hand protectors. The suit is stored in a black lacquered box with the gold crest.<br /> The helmet is made of red-painted metal lined with indigo-dyed cotton fabric and deer skin leather trim, which is attached to the metal helmet. The cotton is quilted with indigo-dyed cotton threads. There are two loops on side and one loop in the back, to hold a code for tying below the wearer’s chin. The code is indigo-dyed and then plaited; there are some fading areas. On the outside of helmet, the paulownia crest is on side flaps (to protect ears). There is a hole in the middle of the helmet for a head ornament. The metal leaves are interlaced with cotton strings. Ceremonial knots of yellow code on the back. It weights about 10 pounds.<br /> The helmet orna
Workshop of Mitsusada
Armor and Helmet with Paulownia Crests
19th century
Gift of James Abbott
2006/1.146A-M
This Persian manuscript leaf is attributed to the 17th century Safavid period. Its format consists of two sections of calligraphy and a miniature (painted scene) in the middle. The painted scene features a grassy landscape with a mounted soldier and two standing figures. 
Iranian (Iranian)
Faramurz taken Prisoner, Shah-nameh of Ferdowski
17th century
Gift of Dr. Richard Ettinghausen presented in honor of Professor Oleg Grabar
1965/1.180

Italian
Stage Design: A Loggia Near a Fortress
1800 – 1825
Museum Purchase
1963/2.34

Hans Sebald Beham
The Betrayal of Christ, No. 3 of the Series of 8 Prints from "The Passion"
1535
Gift of Carl Fredric Clarke
1949/1.103

Max Beckmann (German (culture or style))
Der Traum Vom Krieg, plate X, from 'Day and Dreams'
1946
Gift of Gilbert M. Frimet
1983/2.235

Carlos Lopez
People
1946
Gift of Professor and Mrs. Gerome Kamrowski
1980/2.235
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