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Results for terms:architectural elements

93 UMMA Objects (page 1/8)
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One of a pair of doors that formed an arched entryway. In the upper two thirds of the door are opalescent square glass "coffers" in an arched composition that corresponds to the silhouette of the doors. The interior-facing side of the doors include curvilinear lead caming, inset with medium-sized beach stones, that frame the glass "coffers". The exterior-facing side of the doors has the "coffers" framed by patinated copper sheeting.
Louis Comfort Tiffany
Front door to the Henry O. Havemeyer house, New York (one of a pair)
1890 – 1891
University Purchase 1930, Transferred to the Museum of Art
1986.146.3A
White and amber glass (including carbochon pieces) are arranged in a horizontal composition of arabesque design.
Louis Comfort Tiffany
Window from Henry O. Havemeyer House, New York
1890 – 1891
University purchase 1930, transferred to the Museum of Art, 1986.146.2
1986.146.2
One of a pair of doors that formed an arched entryway. In the upper two thirds of the door are opalescent square glass "coffers" in an arched composition that corresponds to the silhouette of the doors. The interior-facing side of the doors include curvilinear lead caming, inset with medium-sized beach stones, that frame the glass "coffers". The exterior-facing side of the doors has the "coffers" framed by patinated copper sheeting.
Louis Comfort Tiffany
Front door to the Henry O. Havemeyer House, New York (one of a pair)
1890 – 1891
University Purchase 1930, Transferred to the Museum of Art
1986.146.3B
Window in geometric patterns of white, blue, and amber colored glass set in a modern wooden frame
Louis Comfort Tiffany
Window from the Henry O. Havemeyer house, New York
1898 – 1908
University purchase 1930, transferred to the Museum of Art, 1986.146.1A
1986.146.1A
Window in geometric patterns of white, blue, and amber colored glass set in a modern wooden frame.
Louis Comfort Tiffany
Window from the Henry O. Havemeyer house, New York
1898 – 1908
University purchase 1930, transferred to the Museum of Art, 1986.146.1B
1986.146.1B
Slivered metal roundel shape with a center opening for a glass globe (suggested). Along the outer perimeter of the roundel are opalescant convex glass shapes evocative of peacock tail feathers.
Louis Comfort Tiffany
Portion of a lighting fixture, possibly from the entrance hall, H.O. Havemeyer house, New York
1890 – 1891
University purchase 1930, transferred to the Museum of Art, 1986.146.5
1986.146.5
Abstract design within a rectangular metal frame consisting of vertical glass rods of milky white and smoky greenish glass. Holding those rods in place are diagonally-woven silvered flat metal strips.
Louis Comfort Tiffany
Air return grill from the Henry O. Havemeyer house, New York
1890 – 1891
University purchase 1930, transferred to the Museum of Art, 1986.146.7
1986.146.7
An angel flying next to a column, drapes above, staircase below.
Artist Unknown
Angel of Annunciation
Gift of Professor Walter M. and Nesta R. Spink
2013/2.548
Two male peacocks in profile face one another at the center. The work has a strong vertical axis, accented by several larger domed and carbochon glass elements. The peacocks stand upon a curling vine-like design of tan tesserae upon a deep blue field of tesserae interspersed with round malachite-colored pieces of glass. The areas behind the peacocks consists of round white and hexagonal tesserae that move from deep blue to a pale tan/green color. At the central vertical axis are several abstract pieces of opaque brown, orange and blue glass.
Louis Comfort Tiffany
Peacock Mosaic, from the entrance hall of the Henry O. Havemeyer house, New York
1890 – 1891
University purchase 1930, transferred to the Museum of Art, 1986.146.9
1986.146.9
Firescreen consists of a rectangular metal frame with glass and metal elements set in rectangular (largely geometric) framing patterns around a central panel of white and purple vertical glass rods. Along the bottom is a border of white, amber, and green glass circular elements in a more naturalistic pattern evoking grapes.
Louis Comfort Tiffany
Firescreen from the entrance hall of the Henry O. Havemeyer house, New York
1890 – 1891
University purchase 1930, transferred to the Museum of Art
1986.146.10
A woodblock print on toned paper of an abstract rendition of a skyline of chimneys.  There is perspective in the use of tall chimneys attached to their base structures, while chimenys in the distance remain shorter and thinner.
Emilio Sanchez
Chimineas
1956
Gift of the Emilio Sanchez Foundation
2011/2.94
Two girls in white dresses and sweaters climbing on large concrete pillars. one is climbing up, the other is posing.
D. James Galbraith
The Vincent Sisters, University of Michigan Museum of Art, Ann Arbor, Michigan
1990 – 2000
Gift from the D. James Galbraith Family
2014/2.224
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