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Between and Mortarboard

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71 UMMA Objects
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Italian
Study for a Ceiling with Allegorical Figures (recto); Architectural sketch (vers
1567 – 1599
Purchased from the Estate of Edward Sonnenschein
1970/2.92

Allegorical Scene
1675 – 1725
Purchased from the Estate of Edward Sonnenschein
1970/2.97
Two figures dominate the image with little reference to setting other than a low horizon line and some pebbles in the lower left. A man stands tothe lelft wearing simple tradesman's clothes; in his right hand he holds a ladle and another cooking implement. A knife in its sheath hangs at his waist. On his left shoulder stands a bird wtih wings open that is facing the man. To the right is a woman with a headdress and veil and cloak wrapped over one shoulder and in front of her.
Albrecht Dürer
The Cook and his Wife
1496 – 1497
Museum Purchase
1963/1.93
A nude woman and boy are intertwined in an embrace. She is kneeling with her right arm raised and bent, finger pointing upwards, and the boy reaches around her and fondles her breast. The woman is holding a gold sphere in her left hand and they are on a pile of textiles. 
Dotty Attie (American (North American))
Mother's Kisses
1982
Museum Purchase
1993/1.115.1
This print shows a close up of a hand holding a golden sphere. The background is bluish-grey drapery. 
Dotty Attie (American (North American))
Mother's Kisses: detail of hand holding orb
1982
Museum Purchase
1993/1.115.12
This print shows a foot in profile, and upside down. Fabric is draped across the background.
Dotty Attie (American (North American))
Mother's Kisses: detail of foot on fabric
1982
Museum Purchase
1993/1.115.18
This print shows a foot in profile.
Dotty Attie (American (North American))
Mother's Kisses: detail of son's foot
1982
Museum Purchase
1993/1.115.20
This print shows a block of text that reads, "SOON IT WOULD BE TIME TO LEAVE THE BOSOM OF HIS FAMILY," on white paper in a square mat.
Dotty Attie (American (North American))
Mother's Kisses: SOON IT WOULD BE TIME TO LEAVE THE BOSOM OF HIS FAMILY
1982
Museum Purchase
1993/1.115.21
This print shows a detail of a navel and stomach.
Dotty Attie (American (North American))
Mother's Kisses: detail of navel
1982
Museum Purchase
1993/1.115.22
This print shows the detail of an ankle joint and heel in profile. Fabric is draped in the background.
Dotty Attie (American (North American))
Mother's Kisses: detail of ankle
1982
Museum Purchase
1993/1.115.25
This print shows a block of text that reads, "HE WAS MUCH ENVIED BY THOSE WHOSE UPBRINGING HAD FOLLOWED SOMEWHAT STRICTER PRECEPTS," centered on white paper within a square mat.
Dotty Attie (American (North American))
Mother's Kisses: HE WAS MUCH ENVIED BY THOSE WHOSE UPBRINGING HAD FOLLOWED SOMEW
1982
Museum Purchase
1993/1.115.7
A white marble statue of a young female figure, leaning forward holding a staff with eyes closed, her left hand held up to her right ear. A flowing, wind-swept garment drapes the figure. On the base to the left of the figure is a broken capital of a Corinthian column lying on its side.
Randolph Rogers (American (North American))
Nydia, the Blind Flower Girl of Pompeii
1861
Gift of Rogers Art Association
1862.1
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