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Results for terms:actors (performing artists)

91 UMMA Objects (page 1/8)
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Henri-Gabriel Ibels
Performer, from the portfolio "Le Café Concert"
1893
Museum Purchase
1949/2.82

Henri-Gabriel Ibels
Performer, from the portfolio "Le Café Concert"
1893
Museum Purchase
1949/2.83

Henri-Gabriel Ibels
Performer, from the portfolio "Le Café Concert"
1893
Museum Purchase
1949/2.77
In this image, several men and a woman sit on the floor, eating in a relaxed and animated manner.  Behind them, at the top left, two older men sit on a raised platform, engaged in something serious.  Clothes can be seen folded in containers and the back of the print.  Another room is visible at the bottom right.<br /><br />
This is the center panel of a tryptich (with 1969/2.143 and 1969/2.145)<br /><br />
Inscriptions: Nishimuraya Yohachi (Publisher's seal); Kunisada ga (Artist's signature)<br />
 
Utagawa Kunisada (Japanese (culture or style))
Backstage Celebrations of a Full-house Hit at the Nakamura Theater
1805 – 1815
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.144
This print shows the inside of a building where several figures move around busily.  Three are seated and appear to be eating at the corner of a red mat that extends off the right side of the print.  Small blocks of text hover near and identify each of the individuals.  <br /><br />
This is the left panel of a tryptich (with 1969/2.143 and 1969/2.144).<br /><br />
Inscriptions: Nishimuraya Yohachi (Publisher's seal); Kunisada ga (Artist's signature); Kiwame, Tsuruya Kinsuke (Censors' seals)<br />
 
Utagawa Kunisada (Japanese (culture or style))
Backstage Celebrations of a Full-house Hit at the Nakamura Theater
1811 – 1814
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.145

Henri-Gabriel Ibels
Performer, from the portfolio "Le Café Concert"
1893
Museum Purchase
1949/2.79

Henri-Gabriel Ibels
Performer, from the portfolio "Le Café Concert"
1893
Museum Purchase
1949/2.80
A simply dressed man looks toward his left.  His hand is raised over his chest, and his hair is dishevelled.  He holds a small knife in his right hand.<br />
 
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Memorial Portrait of Ichikawa Danjurō VIII
1854
Gift of Dr. James Hayes
2003/1.492
In this print, a woman squats on a beach, holding a shell out in her right hand.  She is barefoot, wearing an orange robe with a turquoise border.  At her feet are several shells and a basket, and a wave rises up behind her.  Green mountains are visible in the background.<br />
 <br />
Inscriptions: Artist’s signature: Kuniyoshi ga; Publisher’s seal: Kawashō; Censor’s seal: Kiwame; Kewaizaka no Shōshō
Utagawa Kuniyoshi (Japanese (culture or style))
Iwai Shijaku [I] as the keisei (courtesan) ..., by the seashore, in the series Spring Scenery ...
1822 – 1844
Gift of Dr. James Hayes
2003/1.519
The woman in this print wears several layers of elegant white, red, and black robes. Her outer robe has an orange crest with five leaves and three flowers. Her hair is held up by a long pin.  Her right arm is bent over bundles of fabric, and a hand appearing from off of the print seems to push against her chest. The background behind her is split diagonally, blue on the left and red on the right.<br /><br />
This is the center panel of a triptych (with 2003/1.417.1 and 2003/1.417.3).<br /><br />
Inscriptions: Chūrō Onoe: Bandō Hikosaburō; Meshitsukai Mutsu: Oboe Kikugorō; Inu 4 (Censor's seal); Man, hanmoto, Nihonbashi Manson, Tōri Ichi (Publisher's seal); Watanabe Horiei (Carver's seal); Toyohara Kunichika hitsu (Artist's signature)
Toyohara Kunichika (Japanese (culture or style))
Iruma Mansion Kabuki Picture Book: Nakamura Shikan IV as Lady-in-waiting Iwafuji
1874
Gift of Dr. James Hayes
2003/1.417.2
In this picture, a woman smiles mischievously, facing her right. She is wearing two layers of robes, one red with white patterns, matching her hair tie, and one blue with pink and yellow flowers. One hand holds onto a large rock as she leans over it. Behind her a mountain and port are visible under a dark sky.<br /><br />
Inscriptions: Mitate sanjūrokkkasen no uchi; Matsura Sayohime; Toyokuni ga (Artist's signature); Horitake (Carver's seal); Kichi, Isekane (Publisher's seal); Hama &amp; Magome, ne 9 (Censors' seal)<br />
 
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Actors Compared with the Thirty-six Poet Immortals: Iwai Kumesaburō III as Matsuura Sayohime
1852
Gift of Dr. James Hayes
2003/1.466
Two women face forward, the one in front looking up at the one behind her. The woman in the front is dressed in layers of elegant robes in white, red, and purple with orange crests. The woman behind her wears several layers of different colors. Her outer robe is orange and yellow plaid. An elaborate purple robe with large flowers and Chinese characters hangs behind them on a gold and black frame. The background is bright red.<br /><br />
This is the right panel of a triptych (with 2003/1.417.1 and 2003/1.417.2).<br /><br />
Inscriptions: Toyohara Kunichika hitsu (Artist's signature)<br /><br />
 
Toyohara Kunichika (Japanese (culture or style))
Iruma Mansion Kabuki Picture Book: Bandō Hikosaburō V as Lady Onoe and Onoe Kikugorō V as Palace Maid Hatsu
1874
Gift of Dr. James Hayes
2003/1.417.3
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